A Quote by Pankaj Kapur

My son has been wiser than me in terms of his career graph. He saw to it that he became a star first and start to get all the roles that he wanted to do. — © Pankaj Kapur
My son has been wiser than me in terms of his career graph. He saw to it that he became a star first and start to get all the roles that he wanted to do.
Television has been really good to me in terms of the roles I've been able to get on TV as opposed to the roles I've gotten in film and in theater.
I was clear about the fact that my first film should be 'big,' since it's the start of your whole career graph.
When I first became a mother, I didn't want my son to have any extra exposure to what I did. I had this theory that if he wanted to do what I do for a living, it should be organic and come from him, not from the fact that this was just what he saw all the time.
A friend of mine has a son who became deaf through meningitis. He called me one spring and asked me to keep a week out of my schedule because he wanted to start a school for deaf kids. I wanted to help.
If you look at my career graph, I have always chosen roles that are performance-oriented.
I don't work for production houses. I only work for good scripts and roles. If you follow my career graph, you will find that I have not given a single flop yet in my career. I am proud of it.
With my career in general, I feel like I'm finally getting to do the roles that I've always wanted to do. It's a slow build; you can't ever get the roles that you want in the beginning of your career because you don't have the buzz or the heat, or whatever the hell it is you need for the agents and the studios to be happy.
If a father could have made his son a star, then Sunny Deol's son Karan Deol's first film 'Pal Pal Dil Ke Paas' wouldn't have been a flop.
I dont work for production houses. I only work for good scripts and roles. If you follow my career graph, you will find that I have not given a single flop yet in my career. I am proud of it.
Wherever I went, I became a son-in-law. It was a terrible phase for me. I had to work double hard to get back my identity. Whenever I gave an interview, the first question would invariably be, 'What is it like to be his son-in-law?' Now that question comes somewhere in the middle of the interview. Hopefully, soon, it won't be asked at all.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
It is easier for a star kid to get noticed than for a person coming from a non-film background. That being said, I didn't get my first movie because I was Jackie Shroff's son.
I remember those faces of people who were good I saw that. I saw a father who gave his bread to his son and his son gave back the bread to his father. That, to me, was such a defeat of the enemies, will of the enemies, theories of the enemies, aspirations, here [in Auschwitz].
I felt my faith was on again off again until I met Paula White, who saw that the Lord had other plans; there was a weightiness to my spirit. She gave me the news that God loved me and wanted his son back. She spoke to the king in me and gave me new hope I could get right with God. The God I had hungered for; the Father I had been missing.
I didn't get as much attention as I wanted from girls as a teenager. I thought that if I became a rock star, I would finally get all that I wanted - but it didn't happen.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
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