A Quote by Pankaj Kapur
When you ask me why I do one film a year, it is not my fault. I've chosen what I liked from whatever work came my way.
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Why can’t the world hear? I ask myself. Within a few moments I ask it many times. Because it doesn’t care, I finally answer, and I know I’m right. It’s like I’ve been chosen. But chosen for what? I ask.
I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?
Ask an eight-year-old kid or see his face when he sees a car being blown up. They come to me, ask me what I am doing next. They loved 'Singham' because there were so many cars, and that's why there was no blood, because I knew they will come to watch my film.
I know the Pollock novel. Read it last year and liked it. Daniel Woodrell is awesome. I especially like the book Winter's Bone, and the film made from it. Larry Brown is terrific, all his work, but for me Joe in particular, also a good film, but a much better novel.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
We are all forever a work in progress. I mean, that is the truth. You are forever in your whole life a work in progress, and forever there is a 12-year-old that's driving in to work with you every day. And you are still on the school playground and you are still whatever it is in college or you are still wondering why someone didn't return your call or ask you out.
The main thing that's important to me is getting to do whatever project it is the way that I do what I do, and that's different. To go to an entity - whether it's a traditional film studio or some newer company, or HBO, Amazon or Netflix - they would have to know that I need to work the way I work.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
Somewhere in my soul a thought went up in my mind today that I have had before, but did not finish, some way back, I could not fix the year. Nor where it went, nor why it came the second time to me, nor definetly what it was, have I the art to say. But somewhere in my soul, I know I've met the thing before; it just reminded me-' twas all'-and came my way no more.
I probably learned, being in 'Taxi Driver' before I made my first film, I would come to the set every day just to watch how that film came about. It's like a graduate course: it's terrific. You talk to the cinematographer during the breaks. You ask the electrician why they are doing this.
There is honor in all work, in all tasks, but take it one step further. Make what you do a labor of love. Then your work will truly touch and change the world in the way you desire. The work you do, whatever your chosen field, will be work that heals.
Let every woman ask herself: "Why am I the slave of man? Why is my brain said not to be the equal of his brain? Why is my work notpaid equally with his? Why must my body be controlled by my husband? Why may he take my labor in the household, giving me in exchange what he deems fit? Why may he take my children from me? Will them away while yet unborn?" Let every woman ask.
My friends ask me why I don't chill out and take things easy. I tell them that when I used to work 326 days a year, I never had time to do anything.
The way I look at it within myself, why not? Why can't I be the MVP of the League? Why can't I be the best player in the League? I don't see why-why-why can't I do that? I think I work hard, I think I dedicate myself to the game and sacrifice a lot of things at a young age and I know if I continue to do good, what I can get out of it and if that's me going out or doing whatever, I'm willing to do it because I know in the long run, it's going to help me.
I wasn't a troublemaker. I wasn't impertinent. The teachers liked me. But year after year, the comments on my report cards basically came down to a single point, and it was 100% accurate: I seemed to get nothing whatsoever out of all those long hours spent in the classroom.
My hero is me. Why? Because I was a poor little kid who was told, `Hey stupid, can`t you speak English?` Now all those people work for me. Despite whatever circumstances I came across, I was always able to rise to the top and there`s only one way to do that - by being selfish, but also by believing in yourself. Belief is self-knowing. Even Yoda out of Star Wars said, `Do or do not. There is no try.
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