A Quote by Pankaj Kapur

It's a bit unusual that I'm the novelist and the actor who is reading out his own material. — © Pankaj Kapur
It's a bit unusual that I'm the novelist and the actor who is reading out his own material.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
I maintain that if you're a novelist and you go into an art museum, you'll come out a better novelist. And if you paint a picture for an hour you're a better actor at the end of it.
The historian ought to be the humblest of men; he is faced a dozen times a day with the evidence of his own ignorance; he is perpetually confronted with his own humiliating inability to interpret his material correctly; he is, in a sense that no other writer is, in bondage to that material.
When the Irish novelist John McGahern was a child, his sisters unlaced and removed one of his shoes while he was reading. He did not stir. They placed a straw hat on his head. No response. Only when they took away the wooden chair on which he was sitting did he, as he puts it, 'wake out of the book'.
The more a man is successful in getting out (or coming out) from his own individuality, of his egoist self, and to control (or dominate) the instincts of his physical nature, the more his character, by rising above material contingencies, widen, become free and independent.
I don't think it's unfair to have writers. I think if you're going to do a roast on television, as if you were doing a play or you were reading a script of a movie, you would have the best possible material. And those are the people who score, the people who are willing to listen to the roasting experts and then come out there and own that material.
Hollywood didn't know if I was an actor or a nut or if I was this crazy character I was playing. I had developed an image of being a little bit unusual, different and wild.
Imagine what it must be like for teenagers who don't feel they have room to breathe in their own homes. If you are a parent reading this book, you care about your child. If she is quirky, unusual, or nonconformist, ask yourself whether you are doing everything you can to nurture her unusual interests, style, or skills, or whether instead you are directly or subtly pushing her to hide them.
It's just the acting side of things. It's not like music, where you can go out there and be independent. It's a bit more difficult to get out there on your own and be an actor. It takes time.
Of all the animal creations of God, main is the only animal who has been created in order that he may know his Maker. Man's aim is life is not therefore to add from day to day to his material prospects and to his material possessions, but his predominant calling is, from day to day to come nearer to his own Maker.
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
Reading your own material aloud forces you to listen.
Everyone holds his fortune in his own hands, like a sculptor the raw material he will fashion into a figure. But it's the same with that type of artistic activity as with all others: We are merely born with the capability to do it. The Skill to mold the material into what we want must be learned and attentively cultivated.
The novelist must be his own most harsh critic and also his own most loving admirer and about both he must say nothing.
A novelist can never be his own reader, except when he is ridding his manuscript of syntax errors, repetitions, or the occasional superfluous paragraph.
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