A Quote by Pankaj Mishra

In the end, of course, all novelists will be judged by their novels, but let's not forget that we will also need new ways of assessing the latter. There are people who will continue to write nineteenth-century novels in the early twenty-first, and even win major prizes for them, but that's not very interesting, intellectually or emotionally.
I think I belong to America's last generation of novelists. Novelists will come one by one from now on, not in seeming families, and will perhaps write only one or two novels, and let it go at that.
I imagine as long as people will continue to read novels, people will continue to write them, or vice versa; unless of course the pictorial magazines and comic strips finally atrophy man's capacity to read, and literature really is on its way back to the picture writing in the Neanderthal cave.
Novels ought to have hope; at least, American novels ought to have hope. French novels don't need to. We mostly win wars, they lose them. Of course, they did hide more Jews than many other countries, and this is a form of winning.
Given that the nineteenth century was the century of Socialism, of Liberalism, and of Democracy, it does not necessarily follow that the twentieth century must also be a century of Socialism, Liberalism and Democracy: political doctrines pass, but humanity remains, and it may rather be expected that this will be a century of authority ... a century of Fascism. For if the nineteenth century was a century of individualism it may be expected that this will be the century of collectivism and hence the century of the State.
For me, movies and television are interesting because they are the dominant storytelling form of our time. My first love will always be fiction, and especially novels, but I'm a writer... I write poetry and essays and criticism and I'd love to write a whole play, and sometimes I even write scripts.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Even if I couldn't get my early novels published, I could still write. I went into newspapers, where I got paid to write every day. If there's a better school for would-be novelists, I don't know what it is.
I am trying to write novels for properly clever people, but I also want them to be proper novels that also stick in a person's mind and have an atmosphere about them.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
It seems to me that the novel is very much alive as a form. Without any question, every epoch has its own forms, and the novel nowadays cannot resemble that of the nineteenth century. In this domain all experiments are justified, and it is better to write something new clumsily than to repeat the old brilliantly. In the nineteenth century, novels dealt with the fate of a person or of a family; this was linked to life in that period. In our time the destinies of people are interwoven. Whether man recognizes it or not, his fate is much more linked to that of many other people than it used to be.
The major changes that will be occurring within the new merged partnership are exciting in many ways. First, we will have the highest forecast distribution growth rate of any of the major MLPs. Second, our coverage will be above average for the same peer group with expected $1.1 billion of excess cash flow coverage through 2017 and the Access cash flows, along with our major new fee based projects continue to dramatically reduce exposure to commodity prices.
People lose it when I say this, but I'm a novelist who doesn't read novels. There are lots of good reasons for not reading novels! I'm also a game writer who doesn't play games - I keep everything very separate. The only crossover with me is comics. I write them, and I read them passionately.
We are living in an era of such interesting new forms, and certainly narrative non-fiction has emerged as a major form. People who are great writers don't have to write novels anymore.
I think like almost everything in evolution, the old forms persist. New forms come along - not always, of course; there are species and whole lineages that go extinct - but basically novels and plays, and so on, will continue to exist. Jokes, as the lowest-cost form of narrative, will certainly continue to exist. They're a bit like microbes in the biological world. They're low-cost and they're everywhere. They're the most successful form of life, even though they're not the ones we think about most.
Decades from now, people will look back and wonder how societies could have acquiesced in a sex slave trade in the twenty-first century that is... bigger than the transatlantic slave trade was in the nineteenth. They will be perplexed that we shrugged as a lack of investment in maternal health caused half a million women to perish in childbirth each year.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
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