A Quote by Pankaj Mishra
We are always boosting or trying to prop up the ego by fulfilling some desire or other, and always craving affirmation from the outside.
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always thinks of the other; ego thinks only of oneself. Love is always considerate; ego is absolutely inconsiderate. Ego has only one language and that is of self. Ego always uses the other; love is ready to be used, love is ready to serve.
Everybody knows, when you have a band, there's always going to be a hierarchy, and there's always going to be some issue where ego gets involved and causes some kind of shake-up.
I've always loved movies and animation. When I was little, I was always pretending to be some alter ego superhero. For years it was Ultraman, ninjas, Spiderman and other cool super heroes.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.
I wanted to get that Division I scholarship and play ball and go to school for free, and I was always about getting to that next step... I was always ahead of myself in some way, shape or form, and trying to envision how to get further along and closer to fulfilling that dream of being free and having creative agency, so to speak.
Some are motivated by a desire to mould the law to expand the rights of the downtrodden, while other may be motivated by a desire to maintain the Status Quo. Some may even be motivated by a desire to protect what they perceive to be their class interest. And such motives may not always even be conscious to the judges.
I grew up as a step-kid, always a little outside, always trying hard to follow and fit in. But over time, I've come to feel that my tendency toward self-erasure is a deep and real part of me. I think I'd be this way no matter how I grew up.
When I was growing up, my family was serious about manners. I always wanted to put my elbow on the table to prop my head up. I didn't understand how other people looked awake. My head felt so heavy after the whole day.
The practice of celibacy alone was opening me up to a deeper sense of the way the mind-body connection works. I saw over and over that my mind and body could be filled with desire and that no matter how intense the craving was it would always pass. I didn't have to satisfy every desire that arose in my mind. I began to understand impermanence through direct experience rather than just intellectual theory.
I was always sort of ahead of myself in some way, shape or form and trying to envision how to get further along and closer to fulfilling that dream of being of being free and having a creative agency, so to speak.
It's very exciting to take magic into a new direction, whereas a lot of times magic comes from a place of sort of ego, like, 'Look what I can do that you can't do.' It kind of comes across that way a lot, and you're always trying to challenge the magician; you're always trying to figure out how the magician is doing it.
In the West, as well as some other parts of the world, the personal sense of ego tends to predominate, whereas in other areas, there is a more collective sense of ego. This collective ego emphasizes the 'we' rather than the 'I.'
With your ego you cannot know. Only in an egolessness, in a deep abyss, in the absence of the ego, does the perception happen - then you become a mirror. With the ego you will always interpret, you cannot know the truth. With the ego you will always be there interpreting in subtle ways, and your interpretation is not the truth. You are the medium of all falsification. Through you everything becomes false. When you are not there, the true reflects.
I've given up on trying to explain myself, or trying to set the record straight, or trying to get people to understand what I'm really like as a man, outside of my acting, outside of my job.
There must be some other possibility than death or lifelong penance, said the Ellen Ward of my dream, that woman I hate and fear. I am sure she meant some meeting, some intersection of lines; and some cowardly, hopeful geometer in my brain tells me it is the angle at which two lines prop each other up, the leaning together from the vertical which produces the false arch.
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