A Quote by Pankaj Tripathi

'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.
Good people can do terrible things, and that's what life is all about, the complexities and grey areas. And often characters aren't written that way in movies, especially characters for women. So you end up being either one thing or the other.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
I think the parts that I played sort of broke the mould in terms of - you know, I played grey characters, the bad girl with a good heart, there was a good reason for her to be bad.
I often hear people say that they read to escape reality, but I believe that what they’re really doing is reading to find reason for hope, to find strength. While a bad book leaves readers with a sense of hopelessness and despair, a good novel, through stories of values realized, of wrongs righted, can bring to readers a connection to the wonder of life. A good novel shows how life can and ought to be lived. It not only entertains but energizes and uplifts readers.
I mean, at the end of the day we're still telling stories and so we're just trying to stay focused on characters that we love and we've loved characters in all of our movies.
In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.
Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
I just don't feel like I've seen very many movies about 17-year-old girls where the question is not, 'Will she find the right guy' or 'Will he find her?' The question should be, 'Is she going to occupy her personhood?' Because I think we're very unused to seeing female characters, particularly young female characters, as people.
It's the same as any role and I find that you can't lump characters together; because they all have different life experiences, different reasons for being the way they are.
What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.
The American horror movies are more moralistic, they have not only good characters, but characters where the ultimate danger is death. What I like about European cinema is they have another sense of what's good, what's bad, and sometimes all the characters are far more complex than just that. It's less binary, the Giallo genre.
I have been part of some fantastic shows and played great characters, including a double role in 'Dil Hai Ki Manta Nahi' and a negative one in 'Sanjivani' because I was bored of playing positive characters.
It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.
I choose grey characters, as I enjoy playing a human character. I don't shy away from showing the shortcomings of my characters.
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