A Quote by Pankaj Tripathi

A good content always allows me to reach the depth of the characters, and thus, the performance looks more relatable and truthful. — © Pankaj Tripathi
A good content always allows me to reach the depth of the characters, and thus, the performance looks more relatable and truthful.
Love every role to be new, and I always like to bring a freshness to every character I play, but that comes down to the script. So, it's important that it's a good script with good, truthful characters and truthful subjects.
The art of transformation is a very important thing to me, and I always believe I can say something more truthful through characters that are further away from me.
I'm okay if everything is honest and truthful and relatable. If it's fabricated and ill-motived, it's not good.
I think the more depth you build into the characters, and the more you see where they came from, the more fun you can have. Setting up different characters in different relationships is always helpful as you move forward.
For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?
The content in TV has become more mature and relatable.
Never, in all my early childhood, did anyone address to me the affecting preamble: 'Once upon a time!' ... I can but think that my parents were in error thus to exclude the imaginary from my outlook upon facts. They desired to make me truthful; the tendency was to make me positive and sceptical. Had they wrapped me in the soft folds of supernatural fancy, my mind might have been longer content to follow their traditions in an unquestioning spirit.
With fiction, I've grown to really love the challenge of lying, the challenge of telling a good tale that isn't truthful, and working with performers is endlessly fascinating. You know, learning what a good performance is, how to get a good performance, how much or how little you need to create emotion or to create character.
It can be a fictional character and yet relatable... It always depends on the content of the film and what you are doing.
During the inception of 'Zindagi Gulzar Hai,' we studied the characters and the script in depth so that we could imbibe the essence of it in our performance.
I'm willing to go wherever with this because music is everything to me. This is my world and how I see it. My music speaks for me in a way that's relatable and truthful.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
The more comfortable you are, and the more you can relax, the more truthful your performance is.
I've done 70 different characters on my podcast. But in terms of characters that I revisit a lot, I think there are 10 that I know more in-depth.
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