A Quote by Paola Pivi

When we are artists, researchers, or writers, we choose what we do with our time, who we talk to. Of course we have commitments, but the amount of freedom we have with what to do or what to research is humongous compared to others.
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We have banished our artists to the fringe of society and tell them to eat cake. It is our artists who choose freedom over safety and use their talents to question and confront the culture.
The commitments we make to ourselves and to others, and our integrity to those commitments, is the essence and clearest manifestation of our proactivity.
There is always a choice." "You mean I could choose certain death?" "A choice nevertheless, or perhaps an alternative. You see I believe in freedom. Not many people do, although they will of course protest otherwise. And no practical definition of freedom would be complete without the freedom to take the consequences. Indeed, it is the freedom upon which all the others are based.
We will freedom for freedom’s sake, in and through particular circumstances. And in thus willing freedom, we discover that it depends entirely upon the freedom of others and that the freedom of others depends upon our own. Obviously, freedom as the definition of a man does not depend upon others, but as soon as there is a commitment, I am obliged to will the liberty of others at the same time as my own. I cannot make liberty my aim unless I make that of others equally my aim.
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It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money.
If we can't make and keep commitments to ourselves as well as to others, our commitments become meaningless.
I do not enjoy the promotional side of being a writer, to be blunt about it. Even with the little amount that is expected of me, which is nothing compared to the life of an artist. Writers can live in obscurity and come out of the woodwork with a book, then go back in. Artists don’t have that luxury.
In the space between stimulus (what happens) and how we respond, lies our freedom to choose. Ultimately, this power to choose is what defines us as human beings. We may have limited choices but we can always choose. We can choose our thoughts, emotions, moods, our words, our actions; we can choose our values and live by principles. It is the choice of acting or being acted upon.
Freedom is not simply the circumstances that allow you to do whatever you want. Freedom is not only the opportunity to choose. Freedom is the strength of character to choose and to do what is right. With that in mind, our age is not an age of freedom, but an age of slavery. It is subtle, but it is real. The foundation of freedom is not power or choice. Freedom is upheld not by men and women in government, but by people who govern themselves.
Commitments present themselves in delineations of black and white. You either honor your commitments or you don't. Success is the result of making and keeping commitments to your self and others, while all failed or unfinished goals, projects and relationships are the direct result of broken commitments. It's that simple, that profound, and that important.
Freedom is not the absence of commitments, but the ability to choose - and commit myself to - what is best for me.
For a writer, personal freedom is not so important. It is not individual freedom that guarantees the greatness of literature; otherwise, writers in democratic countries would be superior to all others. Some of the greatest writers wrote under dictatorship - Shakespeare, Cervantes.
Aretha Franklin was as important to the civil-rights movement as Malcolm X and Medgar Evers. Artists can choose to take on the tremendous amount of responsibility we have, or choose to ignore it.
In wanting freedom we discover that it depends entirely on the freedom of others, and that the freedom of others depends on ours. . . I am obliged to want others to have freedom at the same time that I want my own freedom. I can take freedom as my goal only if I take that of others as a goal as well.
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