A Quote by Paola Pivi
When you grow up, some areas of the world are out of your knowledge - especially when I grew up, in the '70s and '80s. Now, you have access to everything, but back then you did not because of the way the media was, and society imposed more directions, structures, and restrictions. It's not like art was prohibited, but art was not something that the people around me presented. So I developed it very much on my own growing up.
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Growing up in the '70s and '80s when my dad had an art gallery, one of the things that frustrated me was the world seemed so tiny, and to appreciate contemporary art, you needed a history of art, a formal education. I was more interested in the people, and that's why I went into the movie business in the first place.
The more people I meet, the more cultures I start to embrace, the more people I open myself up to - it's a growing process I'm excited about. But it's also a challenge for me, to be at this level and still be able to connect with somebody who's living that everyday life. At first it was something I struggled with, because everything was moving so fast. I didn't know how to digest it. The best thing I did was go back to the city of Compton, to touch the people who I grew up with and tell them the stories of the people I met around the world.
Make your kids go out and play. Kids ought to grow up the way you and I grew up and we grew up fifty years apart or maybe more. But we did the same things. Now who's out playing in the afternoon? Nobody.
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
Being broke and poor - I mean, you grow up in the environment I grew up in, grew up hard and grew up poor. Your mom doesn't have a car until you make it to the NBA... no telephone. So, I mean, if you grow up like that, and you're able to make it to this level and be blessed the way I've been blessed, it's always great to give back.
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
When I was growing up, nothing unpleasant was shown in the home. And when I was in art school, the only art that was presented to me was Abstract Expressionism. But I was interested in the grim stuff. It seemed more exciting.
I think that people all grow up and have their same personalities, but you can say, "Oh, I can see the roots of this personality, which I didn't like, but then you grew up, and I can still see you as that person, but I do really like you now." Which is sort of how I feel about children - I mean, about children who I knew when I was a child and grew up with, and they're still my friends, and children that I know as children who I see growing up, and every year I like them more.
My brother and sister had a much worse childhood, I think, because they were older, and they had to deal with a lot more racism because they grew up in the '70s and I grew up more in the '80s. So they had to deal with crosses being burned on their lawn and their dogs being poisoned.
The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
I grew up in southwestern Virginia. I was born in South Carolina, but only because my parents had a vacation cabin or something there on the beach. I was like a summer baby. But I did grow up in the South. I grew up in serious, serious Appalachia, in a very small town.
I guess it's kind of the obvious thing for me to do 'cuz it's what I grew up listening to. The songs growing up and everything kind of seem like old music to them, but to me, it's just... good music. And of course I did grow up in England in the 21st Century and that does come into it as well.
When you grow up, you tend to get told that the world is the way it is, and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice family life. Have fun, save a little money. That's a very limited life. Life can be much broader, once you discover one simple fact, and that is everything around that you call life was made up by people who were no smarter than you. And you can change it. You can influence it. You can build your own things that other people can use. Once you learn that, you'll never be the same again.
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