A Quote by Paolo Bacigalupi

I write at a standing desk, which has helped me be much more productive and solved some back problems, but mostly all my quirky habits have to do with procrastination and avoidance rather than with work. I'm slowly trying to stamp those out.
Some of our problems can no more be solved correctly by majority opinion than can a problem in arithmetic and there are few problems that cannot be solved according to what is just and right without resort to popular opinion.
I tended to write poems about both social and spiritual problems, and some problems one doesn't really want to solve, and so the problems themselves are solved. You certainly don't want to solve problems in poems that haven't been solved in the world.
I think I'm succinct to the point of trying to write the two-word novel. Editing my work almost never means taking anything out but rather adding, because I'm always stripping down. I tend to under-write rather than over-write.
I would much rather not be the center of attention, and I'd much rather travel and be writing my novel, rather than standing on a stage and trying to get people to understand something.
There're some places that are more difficult or dangerous to navigate and I wouldn't look forward to going back. Like I'd much rather go back to Afghanistan - which fascinates me - quicker than I'd go back to spend a week walking around Nairobi, Kenya, which is a great and easy way to get yourself killed.
Writer’s block is my unconscious mind telling me that something I’ve just written is either unbelievable or unimportant to me, and I solve it by going back and reinventing some part of what I’ve already written so that when I write it again, it is believable and interesting to me. Then I can go on. Writer’s block is never solved by forcing oneself to “write through it,” because you haven’t solved the problem that caused your unconscious mind to rebel against the story, so it still won’t work – for you or for the reader.
Considering the multitude of mortals that handle the pen in these days, and can mostly spell, and write without glaring violations of grammar, the question naturally arises: How is it, then, that no work proceeds from them, bearing any stamp of authenticity and permanence; of worth for more than one day?
To my mind, the best SF addresses itself to problems of the here and now, or even to problems which have never been solved and never will be solved - I'm thinking of Philip K. Dick's work here, dealing with questions of reality, for example.
For me, having a daughter made me much more efficient and productive. I would wake up in the morning trying to figure out how to organize my day so that I could get home. The phone calls with friends, the lunches out with colleagues - all of that got scrapped so that I could be as efficient and productive as possible.
I find it hard to write really cool texts in German. At some point I had the feeling that it didn't work for me any more. So I'd rather not write any German songs at all than write uncool ones.
Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.
Poverty is a solved problem - all they have to do is abolish taxes and regulations which cripple those intelligent, capable, and responsible men and women and destroy their productive capacity, then stand back and watch the economy boom.
Sometimes when I look back on myself on those earlier records, there was so much effort going in, so much trying. With this, I was trying to make it much more laid back.
My father wanted to instill the work ethic. And, because he knew if you don't learn to work to be more productive to improve your efficiency, to cooperate with other people at an early age, you may never learn those habits.
When I was a kid I would much rather have been a good baseball player or a hit with the girls, but I couldn't play ball. I couldn't dance. Luckily, the girls didn't want me. Not much I could do about that. So I started to draw and to write By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn't rather make love, but the work has become a habit.
Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished.
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