A Quote by Paolo Bacigalupi
I didn't think of myself as writing 'cli-fi,' but I'll take the label. I'll take any label that makes someone think they might be interested in my stories.
Related Quotes
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
I think any label is bad. I'm more than a label.
I think any label is bad... I'm more than a label.
I don't think the label makes the artist or the artist makes the label. It's the music that makes everything work or not.
I just try not to label myself in any way. I just have an allergy to labels in general. I can tell you that I am surrounded by very strong women and that I really appreciate that, but I'd rather not label myself.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
A label doesn't make something so. A label is just a word. It's what a person does that makes them who they are
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.
I just think that any person who wants music to be their career shouldn't focus on a record label. I have seen friends who sign to a label too early in their career, and they lost control over their music, and their releases were delayed or never put out.
When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
I think the difference between writing as someone and writing for them is that when you write for someone, you take on a kind of political burden or message, which I don't think we have the right to do.
At the end of the day, I think there is an important moment happening in our society right, and I have to do the right thing. At the end of the day, I don't label myself one way or another. I come from a place where I find it hard to identify with a label. I've dated men in the past, and now I'm dating a woman, and I see it as ultimately no big deal.
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.
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