A Quote by Paolo Bacigalupi

Maybe storytelling belongs in audio - a short story is the length of a commute. That can be a sacred spot where you have the ear of the reader without having to compete with other media like games or TV.
Works of art are not so much finished as abandoned. Perhaps poems can be perfect. A short-short story might even be perfectible, as effective and enjoyable for one reader as the next. But novels and other book-length narratives are great rambling things that always contain some flaws. For works of any length, there comes a point when your continued tinkering won't improve the whole, but will just trade one set of problems for another.
Avoid demonizing television, computer games, and new technologies. Electronic media may compete for kids' attention, but we're not going to get kids reading by badmouthing other entertainment. Admit that TV and games can do things books can't.
I write what I like to read, and I enjoy love triangles in YA and adult fiction - not to mention in other media like TV, opera, theatre, and even in video games! I relish when dark and compelling characters compete for our protagonist's heart. The doubts, the uncertainty - the jealousy! - can be breathtaking.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
But I am not sure it would contain any short stories. For the short story is a minor art, and it must content itself with moving, exciting and amusing the reader. ...I do not think that there is any (short story) that will give the reader that thrill, that rapture, that fruitful energy which great art can produce.
With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.
Don't despair for story's future or turn curmudgeonly over the rise of video games or reality TV. The way we experience story will evolve, but as storytelling animals, we will no more give it up than start walking on all fours.
The short story is kind of a precision tool. It allows me a certain type of freedom to go in and out of the American landscape, without having to commit myself to a full-length novel. I find a lot of novels out there very boring.
You must ban together with other women of like mind and for the first time find fellowship, womanship, without the need to compete, without having to climb to the top over each other.
Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.
When I'm on planes, I'd talk to people and I'd tell them I compete in the X Games. Some would know what it was, but maybe half didn't. But everyone knows about the Olympics. They're really like the X Games for the world!
We [ me and brother] wanted to win at things like basketball games or baseball games, but off the field we never felt like we had to compete with each other.
Who knows? Maybe my life belongs to God. Maybe it belongs to me. But I do know one thing: I'm damned if it belongs to the government.
A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
The short story feels like the most natural length for prose fiction, or certainly for the kind of ideas and situations I like to encounter.
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