A Quote by Paolo Nutini

When I got my first publishing deal, I felt some responsibility to try to write with the people that they were asking me to write with. — © Paolo Nutini
When I got my first publishing deal, I felt some responsibility to try to write with the people that they were asking me to write with.
I've always felt writing is an art. Publishing is a business. I felt strongly if I was going to write, I would write what I wanted to, and if the 'market' didn't respond, there was nothing I could really do about it.
I enjoy writing. Publishing... not so much. I've been lucky to work with some very talented people in the publishing world, and the print industry has allowed me to write full time.
Don't try to outguess what's going on in publishing, and write what you want to write.
There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. I don't necessarily intend to publish posthumously, but I do like to write for myself. I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
The first five years as a writer, I didn't know how to write at all. I couldn't write my way out of a white paper bag. And yet, I did some remarkable things. And later on, there were periods where I got this mission to find an articulate voice with rewrites and all. There were periods where I was as dense as Faulkner.
I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.
I'd had my whole life to write my first album. I had my No. 1 and my third single out, and they go, 'Hey, guess what? We need to start recording the next one.' I'm like, 'Uh oh, I got to write another album. Well, how am I gonna write 'Should've Been a Cowboy' and 'Ain't Worth Missing' and all that again?' It took me forever to write the first one.
I didn't do anything but write for six months after I got my publishing deal. That was just trying to get better and figure out my sound and the way I like to do it.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
There is a marvelous peace in not publishing ... I like to write. I love to write. But I write just for myself and my own pleasure.
So many people had been asking me to write an autobiography, or threatening to write my biography without any input from me, that I thought I'd better tell my story before other people told it for me.
I got a publishing deal with BMG, they were supportive, and some money to record demos
I got a publishing deal with BMG, they were supportive, and some money to record demos.
The inspiration for my novels comes from the depths of a creative well, based on asking myself questions over and over. I try to write something different each time I sit down to write; I try to surprise the readers.
People offer me loads of stuff, and some of it I like, but I just can't do it because I can't write it all. So I might get in the position where I have some sort of company and just write maybe the first episode, but these are love projects, in a way.
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