A Quote by Paresh Rawal
Firoz Nadiadwala is a close friend; he was the first person who asked me to direct a film for him. I would like to have him as my producer for my directorial debut.
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Luckily, for me, my first producer Sajid Nadiadwala treats both Tiger Shroff and me like his kids. He's very protective.
I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.
Reuven listen to me. The Talmud says that a person should do two things for himself. One is to acquire a teacher. Do you remember the other." "Choose a friend," I said. "Yes. You know what a friend is, Reuven? A Greek philosopher said that two people who are true friends are like two bodies with one soul." I nodded. "Reuven, if you can, make Danny Saunders your friend." "I like him a lot, abba." "No. Listen to me. I am not talking about only liking him. I am telling you to make him your friend and to let him make you his friend.
I dont want to sound gloomy, but, at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Lure him out. Send in a 'customer' with a message from me needing to meet him. I'm not the kind of person he can ignore-well, that he used to not-never mind. Once he's out, we can get him to a place we choose." I nodded. "I can do that." "No," said Dimitri. "You can't." "Why not?" I asked, wondering if he thought it was too dangerous for me. "Because they'll know you're a dhampir the instant they see you. They'll probably smell it first. No Strigoi would have a dhampir working for him-only humans." There was an uncomfortable silence in the car. "No!" said Sydney. "I am not doing that!
Peter Jackson was very good to me after I made my first film, he was really one of the best things that happened after that movie. I was invited to New Zealand to go hang out with him on 'The Hobbit', and so for two weeks I got to sit next to him and watch him direct, and it was the most amazing experience you could ever have.
'Cube' was the first big science fiction film I was a part of. It was a fantastic directorial debut by one of my oldest friends Vincenzo Natali and it remains one of my most painful and uncomfortable roles. It's also one of my favorites.
This is the sixty-nine," I told him, presenting the magazine in front of him. I put my fingers -- two of them -- on the action, so that he would not overlook it. "Why is it dubbed sixty-nine?" he asked, because he is a person hot on fire with curiosity. "It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor." "What did people do before 1969?" "Merely blowjobs and masticating box, but never in chorus.
Arsene Wenger wanting me was a big factor. When I first saw him, I was a bit scared, like he was a person from a different planet. I would never in my wildest dreams have thought I would be talking to him, let alone playing for his team.
See, my relationship with Salman is of mutual love. But just because he is a good friend of mine, I wouldn't want to use him for a cameo in my film or ask him to endorse my film. That is not me.
Karunakaran didn't direct my first film, but I'm glad to be working with him in my 21st film nevertheless.
I would like to meet with Drake. I would love to meet him. He's from the city I'm from. I feel we share the same interests and I'm really just into his music and him as a person in general. He's great at what he does. I would want to meet Eminem. He was my first ever influence. The reason why I even started writing was because my mom bought me my first Eminem CD and I was glued from there.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
I'm thinking I would like to dance in the rain with this person. I would like to lie next to him in the dark and watch him breathe and watch him sleep and wonder what he's dreaming about and not get an inferiority complex if the dreams aren't about me.
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