A Quote by Paresh Rawal

Any role that is well-written, exciting and something that I am comfortable with interests me whether it's comic or tragic. It could be in a film, play or TV. — © Paresh Rawal
Any role that is well-written, exciting and something that I am comfortable with interests me whether it's comic or tragic. It could be in a film, play or TV.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
It has happened with me that I get a role of a cop for a film. Few directors typecast you if you do that particular role well. But, it is the actor who has to decide whether he fits in that role or not.
I think that in any role you have, whether TV or film, it's hard to do comedy and drama within one story.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
I am not interested to do a five-minute role in a film which is not exciting to me.
When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with.
When you play a serious role, as far as I'm concerned, I feel I'm using exactly the same skills, whatever they are, to play the role as you do with something more obviously comic. It's slightly different muscles, but the same skill set.
Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.
In Alien, Sigourney Weaver's role was written for a man. In Salt, Angelina Jolie's role was written for Tom Cruise. These things, when reversed, do prove to be just as exciting and entertaining with women in leading roles.
People think that because I play comic roles, my films will have a comic flavour as well. But I am a student of drama.
I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.
Sheesha' is a thriller. It was exciting to play my first double role in the film.
I think that sense of wonderment, where you walk out expecting the ordinary and are confronted by the extraordinary, is something that has always interested me, whether in TV or comic books.
I respond very well to well-written material and women who have had an effect on society, something tragic or monumental has happened to them.
It's only when a project or film doesn't work, that you think about what you could have done differently - whether you chose unwisely, or was there something in your application in that role, as an actor, as a director or as a producer, that you could have done better.
During my theatre days, I was more comfortable doing comedy. It's such an irony. I have always played a buffoon on stage, and yet I don't have any comic role to my credit.
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