A Quote by Parineeti Chopra

I don't want to do a film where I have a ten minute role. — © Parineeti Chopra
I don't want to do a film where I have a ten minute role.
When I did my first student film, it was a ten minute film and it cost $U.S.4,000. I worked three jobs to pay for that and I haven't really slept since.
I got into film in an odd way - when I was 17 years old I participated in a Swedish film as an actor. I think every person at that age should get a role in a film, because during that time you want acceptance, and when you have a role in a film you become an important person. I think about that now, and that was my fantastic starting point.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
I am not interested to do a five-minute role in a film which is not exciting to me.
It's not, like, how long you are on the screen, 'Karwaan' being the biggest the example. I may have had a five-minute role, but I know the appreciation that I got was a lot more than a five-minute role deserved probably.
One minute, I really am in awe of filmmakers, and I want to be working in film, and then the next minute, I get the itch to get back on stage.
I did a 10-minute role in Rajkahini, in Manikarnika and a Telugu film too. I hope those left an impact on the audience.
Behind every communication problem is a sweaty ten-minute conversation that you don't want to have.
People use mobile phones in this very distracting environment where you probably don't have time to watch a 30-minute film, but you might have time to look at a film for a minute and learn something you didn't expect while you walk on the streets.
When I take up a film or role, I don't want to be fake; I don't want to wear a mask. I want to be myself.
The minute we have a pain, we want a diagnosis. So I think the minute we feel love, it's very hard to just let it be. We want to identify it, we want to catalog it, we want to keep the thing and create the environment it happened in. That's where marriage comes from! Let's make an institution out of it!
Sometimes a minute is really the difference between success and failure. There are times when you finish with ten seconds left, and one extra minute could've meant everything. You almost have to think of it as a sporting-event type of atmosphere: A football game is sixty minutes long. Think of how many games could be won or lost if the team had one more minute?
I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.
I want to do everything. I just want variety and longevity. I've never filmed a movie before, I want to do that. I want to come back to theater at some point. But I was in New York for like ten years, grinding. I'm ready to be in L.A. for a little while, and really experience film and television.
Amitabh Bachchan played the role I was supposed to play in 'Saat Hindustani' but I cannot say he got his first film because of me. He had already been cast in the film, but was playing a different role.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
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