A Quote by Park Bo-gum
When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.
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Yes, I direct commercials as well. I get these really weird offers and then I have to bid on them and win the job. One offer that I have now, and I've already done this last year for the same company, is for Cash Value Cheese, this cheese out in the midwest. I did two spots for them last year and I'm going to probably do three this year. I also did some for the Utah Transit Authority, which was weird and interesting and they turned out really funny - they actually won an award.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
It used to be that you commit to something, and then basically you spend your year doing that. Now there's a constant conversation of how you have to keep working in order to remind people that you're around.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
Tomorrow is Now... If we act, 2015 can be a year for the history books. It can be the year that we put the world on the path to end extreme poverty; the year we place sustainability at the heart of our future; and the year that we agree that every person should be able to lead a life of dignity and opportunity.
Whenever you have a few setbacks, the idea that half as many children are dying now as back in 1990 and so... it was over 12 million a year, now it's less than 6 million a year. We have a clear path to get that under 3 million a year and we know what to do. And this generation of young Africans is a very large group.
For so long, TV consisted of a limited number of shows a year, and those shows had to appeal to as many people as possible. The joy of TV now is that shows don't have to be broad anymore - they can be small, weird, and niche.
It was one of Hulu's first original shows to really go out there. Now a year has passed, and the second season is getting a great response. I think the show [Difficult People] itself creatively has evolved, has gotten much richer and tighter.
For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.
Why do we want to win an award? Yes, my grandmother would be very proud, but I think it's also so people can hear, 'Oh, this show won an award. I guess it's good. I should watch it now.'
In my day, when I was a young kid, army duty was compulsory in South Africa or you go to jail. I had the choice, so I spent a year in the entertainment unit, and outside of doing shows - and I used to write for, arrange for the big band - outside of doing that, I actually had a rock band in the army.
Doing films as an actor, you spend maybe 40 percent of the year doing your chosen profession. If you are on a successful TV show, you spend 80 percent of your year doing the thing you love.
England is my home. London is my home. New York feels like, if I have to spend a year living in an unfamiliar city, this is a pretty lovely one to spend a year in, but I will be going home at the end of it, certainly.
Acting was a slow-burn thing. I found it was something I really, really liked doing, but it wasn't until my third year at drama school that I actually thought, 'Oh, right, I'm trained for this now; I'd better see if I can do it.'
These first few years, it's more trying to figure it out. What's going on in the NBA? Where do I fit in? Then my second year, I'm a player. 'Can he actually start?' I played pretty well my second year. My third year, now I gotta solidify myself. Now I'm here, and it's about winning for me.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
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