A Quote by Park Bo-young

Some kids would deliberately knock shoulders with me while passing by. Students from other classes would then put trash all over my seat, and the kids in my class would try to clean it up for me.
If I had kids, my kids would hate me. They would have ended up on the equivalent of the Oprah show talking about me; because something [in my life] would have had to suffer and it would've probably been them.
I remember being 12 or 13 and listening to 'Son of Hickory Holler's Tramp' by OC Smith. It reminds me of holidays in Cornwall, driving in a big estate car, me and my brother sleeping in the back, we would get up early and my dad would put pillows on the back seat and we would lay on the back seat while we drove off on holiday.
She had the kids during the day and I would have them at night. That way they were never alone. I would put the kids to bed, and then I had nothing to do and nobody to talk to, so I would write.
In my early childhood, I was a performer by nature. I used to do puppet shows as a kid and entertain kids in classes and the teachers would make it a point that I was the entertainer of the class, but only after high school and in college that I started doing theater and acting classes, because I thought it would be fun.
I would hang out with my friends, and they would make me sing in exchange for food. I'd tag along just so I could eat. Then we would go to the park, and I'd sleep there with other homeless kids.
I had a public school education - 3,000 kids when I was there. And there were a lot of teachers who would just sit there. You'd come in and sign your name and the teacher would just sit there at the head of the class and you would literally just have to stay in your seat for 40 minutes and that was the only thing you'd have to do in class.
My parents never pushed me towards music. I feel like, growing up in a musical household and always being surrounded by it, I was always kind of a performer child. I remember my parents would have guests over, and they would bring their kids, and I would make sure that we were ready to put a show on.
My family was, I think, a bit more radical than most Mormons, especially on the question of gender. So in my mind, growing up, there wasn't ever any question of what my future would look like. I would get married when I was 17 or 18. And I would be given some corner of the farm, and my husband would put a house on it, and we would have kids.
I'd play music on the street, especially in developing nations where a lot of kids couldn't wear shoes. In order to relate with kids that would be following me barefoot, I would take off my shoes, and they would all laugh at me because I couldn't go three steps without wincing.
I used to think there would be a blinding flash of light someday, and then I would be wise and calm and would know how to cope with everything and my kids would rise up and call me blessed. Now I see that whatever I'm like, I'm pretty well stuck with it for life. Hell of a revelation that turned out to be.
One of my friends, Bruno Andrade, was so quick, he just used to knock the ball past whoever he was playing against, and I thought, 'Why can't I do that?' Until then, I would try to dribble and maybe try a stepover, but Andre would just knock it then - beep, beep - and he was so fast, he would get there first.
Like so many other kids with special needs, I have been bullied. Kids in elementary school made me eat sand, and those same boys would walk behind me, teasing me. Finally I had enough, and I told them to grow up.
I would do musicals in high school where there was dancing, and I would sing my verse, and then they would choreograph it so when I would take an eight-count to back up to the back of the stage while the other dancers covered me up because my body was totally... I was always in newborn-deer mode.
When I got into film school, it really formed a sense of who I am and my sense of feeling like an outsider. If there was some greater purpose to do this, it would be so that future generations - my kids or my sister's kids - would grow up seeing themselves in their media culture in a way that I didn't. If The Mindy Project or Master of None were on when I was growing up, I wonder if I would be interested in doing this at all
You would think that American educators would want our kids, especially our kids from poorer families, to hear what top-rated Oxford students hear. But you'd be wrong. American schools now hide their students from ideas like mine if they don't approve of the man or the message.
My criterion for accepting a role isn't based on what I would like to do. I try to consider what the audience would like to see me do and I thought kids would adore Star Wars.
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