A Quote by Park Bom

Whenever I go overseas I buy funny eyelashes. For example the same brand that are in Japan and England are different styles. So I bought both. — © Park Bom
Whenever I go overseas I buy funny eyelashes. For example the same brand that are in Japan and England are different styles. So I bought both.
I try to be very current. I try to take something from everywhere I've been. I've wrestled in Japan, Singapore, China, Germany, and England. I try to bring a mix of different styles to the table.
For example, in England, we teach about Expressionism, but it is not the same in England as it is in Germany, because Expressionism is more important in the history of German art. So although it is the same history, the emphasis is different.
I go up to San Francisco on holidays and spend time with my family there, but whenever I go to Japan, I enjoy every moment. I try to go back there every year or so. It's a phenomenal place, and I absolutely love it. It's not my second home; it is my home. Whenever I go back, I feel very connected with Japan.
Undoubtedly Internet has reduced the possibilities of taxation. Why should I buy something here if I can buy it from a company in Japan or England or Brazil with a lower tax?
Everywhere I go, the styles are different. When you wrestle in Japan, it's more strong style. When I go to Mexico, it's definitely more high-flying. And in my matches I've had with Taya in Impact, it's been a lot more ground-based.
If you're not that big player, then nobody's really gonna know who you are to promote the brand. If LeBron says, 'Go buy this shoe, it's amazing,' I would probably go buy it. But if some random person on the street was like, 'Hey, go buy this shoe,' I probably wouldn't.
Producing and deejaying are two different outlets to the same creativity. When I'm in the studio I get to create and go through my process. When I'm on stage I get to share the results of that process with everybody. It's two different experiences but they both go back to the same thing and I love them both.
You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck.
When I lived in Japan, I only noticed the bad aspects of the country. I didn't really like Japan then, but when I moved overseas, I was able to appreciate the good side more.
I spent a lot of time with the Neville Brothers and Dr. John and different people. They play different styles of music, and it allowed me to learn different styles.
When Japanese went to Hawaii they would go straight and buy the same thing that they would buy in Japan. They just got it cheaper, which they liked. And so they would still eat the red bean ice cream or the green tea ice cream, but they didn't really take advantage of the variety and it wasn't clear that they cared.
Well, I guess that early 12 string. The first Martin I bought. I bought it around 1957 with money I earned as a janitor assistant. I bought brand new. I still have that.
I've being doing some stuff overseas. I got the opportunity to go to New Japan a couple of times.
I'm not more into one scene than any other, and that's why I feel very lucky to be able to go into two different styles of music and be successful at both.
During practice, I train with both women and men. I think it's good to have a mixture of strengths because both have different fighting styles. Every person offers something different, and the more body types you get used to, the better fighter you will become.
I'm not Deion Sanders. We're different people with different styles. People see similarities between me and him; that's fine. It's an honor to be mentioned in the same breath with him. But that's as far as I go with it.
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