A Quote by Park Won-soon
Urban planning should be done with the mindset that we are determining the city's fabric for 100 years to come.
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When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
We were talking about urban youth. And by urban I mean lives in a city not urban as in black like white people use it.
The lack of resources is no longer an excuse not to act. The idea that action should only be taken after all the answers and the resources have been found is a sure recipe for paralysis. The planning of a city is a process that allows for corrections; it is supremely arrogant to believe that planning can be done only after every possible variable has been controlled.
People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.
That mindset never changes. It should never change. If you've been in the league for 14 years or been in the league not even a day, you should have that mindset that you're going to go out there and prove yourself and earn a spot.
Mao challenged the idea that economic planning would dissolve conflicts of interest among the people. He saw it dialectically - conflicts between intellectuals and manual workers, between the city and the countryside, stratification in the party and society. He said it was necessary to struggle to overcome these differences whether it takes 100 or 500 years.
Planning a garden, park, building, or city shouldn't be done in an office.
Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.
There is no one-size-fits-all solution to the challenges facing our cities or to the housing crisis, but the two issues need to be considered together. From an urban design and planning point of view, the well-connected open city is a powerful paradigm and an engine for integration and inclusivity.
A city can only be reconstructed in the form of urban quarters. A large or a small city can only be reorganized as a large or a small number of urban quarters; as a federation of autonomous quarters. Each quarter must have its own center, periphery and limit. Each quarter must be a city within a city.
Architects in urban planning are talking about this but they're not talking about it yet I don't think at that level that [Buckminster] Fuller is talking about when he talked about putting a dome over Manhattan, which is to say an attempt at integrating all of these different technologies in a way that makes for a city that, without having an actual dome, thermodynamically manages the heat flow for that urban environment and therefore makes it so that it is a highly efficient machine for a living or a dwelling machine as he would have preferred in terms of thermodynamically optimizing it.
Say the Pentagon Papers, - that material went much deeper. It went into internal government planning back for twenty - five years. Those are things that the public should have known about. In a democracy they should have known what leaders thinking and planning about major enterprises like the Vietnam war. It was kept secret from them.
If you're talking 100 years, there's no doubt in my mind that all jobs will be gone, including creative ones. And 100 years is not far in the future - some of our children will be alive in 100 years.
We would like to have a great future, so we need to think about the urban philosophy, the urban problems, and the construction of the city. That's the new politics, maybe.
Urban Fantasy is a subgenre pretty much designed for teenagers. It's pretty twee, but I adore it. I've been trying to come up with an Urban Fantasy comic ever since I'd read the Nancy Collins 'Sonja Blue' series years ago.
There's a Ford dealer in every city around the United States. They're the fabric of the community. They're either head of the chamber of commerce or the priest, or I mean they're just the fabric of America, and they took care of us.
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