A Quote by Parker J. Palmer

People are always asking, "Is this person in front of me the same on the inside as he or she appears to be on the outside? Is there congruence between what's within that person and the words and actions I'm viewing and hearing externally?" Children ask that about their parents; students ask it about their teachers; parishioners ask it about their pastors and priests; employees ask it about their bosses; and in a democracy, citizens ask it about their political leaders.
If you want to get to know somebody you don't ask other people: 'How is she?' You talk to the person herself. And then you don't ask about facts like 'date of birth' or 'profession of parents.' but you talk about essential questions and themes in life.
Ask not of me, love, what is love? Ask what is good of God above; Ask of the great sun what is light; Ask what is darkness of the night; Ask sin of what may be forgiven; Ask what is happiness of heaven; Ask what is folly of the crowd; Ask what is fashion of the shroud; Ask what is sweetness of thy kiss; Ask of thyself what beauty is.
When you meet someone, ask about what hobby they have, not what they do. People always ask me about cooking, but I prefer to talk about tennis or boxing.
I've always said, just go ask my teammates if you want to know about me. Go ask the guys that I've played with. Don't ask or get information about me from people who are not in the locker room or not around me all of the time. Then you'll get legit answers.
The nice thing about programming at the RDF level is that you can just say, I'll ask for all the books. You can ask for all the shelves. You can ask for a given shelf whether a book was on it. And you're not worrying so much about the underlying syntax.
Every single young person is reachable. Ask them what dating is like in their country. Ask them if they have a girlfriend. Ask them what their type is. There's nobody who's too conservative to talk about that.
People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person.
A lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.
If you want to ask about my drug problem, go ask my big, fat, smart, ten pound daughter, she'll answer any questions you have about it.
When children ask you questions about gray hairs, and wrinkles in the face, and sighs that have no words, and smiles too bright to be carved upon the radiant face by the hands of hypocrisy--when they ask you about kneeling at the altar, speaking into the vacant air, and uttering words to an unseen and in an invisible Presence--when they interrogate you about your great psalms, and hymns, and anthem-bursts of thankfulness, what is your reply to these? Do not be ashamed of the history. Keep steadily along the line of fact. Say what happened to you, and magnify God in the hearing of the inquirer.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
You can ask me about my beliefs on things; that's cool. But I think to lump in and say, You follow this person, so then, wow, who are you?' Ask me who I am.
What I do now, when I'm taking on a film, I always ask about the fairness of the pay. I ask what they're offering me in comparison to the guy. I don't care about how much I get paid; I'm in an industry where we're overcompensated for the work we do.
I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.
And one day we must ask the question, "Why are there forty million poor people in America?" And when you begin to ask that question, you are raising questions about the economic system, about a broader distribution of wealth. When you ask that question, you begin to question the capitalistic economy.
Ask the dust on the road! Ask the Joshua trees standing alone where the Mojave begins. Ask them about Camilla Lopez, and they will whisper her name.
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