A Quote by Parker J. Palmer
I am very, very uneasy with churches that have basically said, "Well, since that's what people want and that's what sells, then were going to do our worship services like Hollywood productions. We're going to have a lot of bells and whistles. We're going to have high entertainment value, and it is going to have a lot of gloss and glitter."
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Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.
What are you doing here? Tell me why you are here. If you are not here to win a national championship, you're in the wrong place. You boys are special. I don't want my players to be like other students. I want special people. You can learn a lot on the football field that isn't taught in the home, the church, or the classroom. There are going to be days when you think you've got no more to give and then you're going to give plenty more. You are going to have pride and class. You are going to be very special. You are going to win the national championship for Alabama.
Another way of working is setting deliberate constraints that aren't musical ones - like saying, "Well, this piece is going to be three minutes and nineteen seconds long and it's going to have changes here, here and here, and there's going to be a convolution of events here, and there's going to be a very fast rhythm here with a very slow moving part over the top of it." Those are the sort of visual ideas that I can draw out on graph paper. I've done a lot of film music this way.
[The U.S. Treasury] can borrow basically unlimited amounts. They can stay there for years and years. These assets will be worth more money over time. So when Merrill Lynch sells a bunch of mortgage-related assets at 22 cents on the dollar like they did a month or so ago, the buyer goes - is going to make money, and he's going to make a lot more money if it happens to be an institution like the U.S. government which has very, very cheap borrowing costs.
I know what we're going to do as PWR BTTM. We're going to put a new record out; we're going to go on tour a lot, and we're going to do cool stuff. We're going to try to be kind to our friends and family and loved ones. And we're going to look cute.
My life is very complicated. I have a lot of things going on. I am juggling a lot of responsibilities. There is so much going on that it is astounding, it really is.
When I was a kid, I was in love with one of the 'Charlie's Angels.' I told my dad, 'I'm going to marry somebody like Cheryl Ladd.' My dad said, 'You're not that good-looking, mijo. You're going to have to make a lot of money if that's what you want.' I went, 'Well, I want that, so I'm going to make money.'
I said,'Instead of going in the direction that a lot of the women singers are going in [revealing], I'll be very, very sexy under 18 pounds of chiffon and lace and velvet...I will have mystique.
I loved gymnastics, and my gymnastics teacher said ballet was essential to help my dance routines in competitions. I only really went because my friends were going as well. It wasn't this kind of hidden love. Then, slowly, my friends stopped going and I thought, 'I like this. I am going to stay.'
I remember secretly going off and crying. All of a sudden I'm being blocked and have to be intimate in a scene, and I'm going, 'I can't even look people in the eye very well. How am I ever going to do this?'
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
Once you decide that you're going to have the death of Spock, then how does that affect the other people? Why is it there? I got a lot of stick from a lot of people from the very beginning about the idea of killing Spock. Somebody said, "You can't kill him." And I said, "Sure you can; the only question is whether you do it well."
I was very young, I was going to clubs underage. I am going to be very honest about it, I am not very proud of it but I did, like many people.
If Trump were a boxer, he'd be Muhammad Ali. Because he's going to win. He's going to run his mouth, he's going to talk a lot and he's going to win. And you ain't going to know which way he's going. You had the Louisville Lip, he'd be the New York Lip!
The important thing is this Just because I'm doing well doesn't mean that they're going to do well if they get HIV. A lot of people have died since I have announced. This disease is not going anywhere.
I was actually pretty shy in school. My defense mechanism was to be the class clown. I remember getting into a lot of trouble for being disruptive, and I was brought in front of the headteacher, who said: 'What's going to happen to you; what are you going to do when you grow up?' and I said: 'Well, I'm obviously going to be a comedian.'
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