A Quote by Parker Posey

I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
I think that some of the best Crowes stuff we did had that spontaneous vibe. Thats something thats always interested me in music. Im not really the kind of person to get too bogged down in the details. I think that takes away from the emotion and the vibe of what youre doing.
You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
I'm a fan of creating the mood and vibe with flowers, candles, and music. I love making my guests feel like it's not formal and they can relax in my home.
For me, it’s like playing the same instrument but in a different context. TV work – it’s really about getting it just right. You have a chance to try again if it’s not. Theatre is like playing a rock show. It doesn’t really matter if you make a tiny mistake. It’s the whole vibe and getting people to feel you. It’s about carrying the moment through all the way with you in an hour and 20 minutes of the narrative.
One nice thing about being a woman in Hollywood is that the women tend to be very close-knit. All of us writers and directors know each other and cling to each other for safety and support, and it's really a completely different vibe than the men experience out here, where they're all trying to murder each other.
In my experience, directors who are the most comfortable with themselves and confident in their work give you and everybody on the crew the freedom and the space to create. It's the people who are more insecure who feel the need to control and micromanage.
I just see potential in things that aren't there and how it's going to make you feel. Like, if it makes me feel a certain way, I try and create the vibe of how that felt to me. And try and create it for someone else.
I always liked making the 'vibe music' more 'cause I feel like you can get more creative on it. Memphis is for sure like the grimey. In my hype music, the Memphis comes out of me - but when I try to vibe, I feel the Caribbean culture come out.
I don't know if I'd go with an alien to space. I would have to feel the alien's vibe. I'm a vibe person.
I had a Screech-from-'Saved by the Bell' kind of vibe in that I hung out with people and had friends while having, like, big, curly hair and being generally a dork.
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