A Quote by Parker Posey

I get to enter into the world the director has created: to live these different lives on top of my own life. — © Parker Posey
I get to enter into the world the director has created: to live these different lives on top of my own life.
Japanese of my generation try to get through life without stepping on anyone's toes; in some ways that's unnatural and stressful. The yakuza are different: They live short lives but live and die on their own terms - it's exciting to portray that.
Whenever I write for television, I plan the story on whiteboard wallpaper in my office, using a system created by the American writer Dan Harmon. It's remarkably simple: a character wants something; they enter a new world and adapt to it; they get what they want, re-enter the old world and change.
You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.
I had a lot of things I wanted to do... I want to be a teacher...I also want to be an astronaut...and also make my own cake shop...I want to go to the sweets bakery and say "I want one of everything", ohhhh I wish I could live life five times over...Then I'd be born in five different places, and I'd stuff myself with different food from around the world...I'd live five different lives with five different occupations...and then, for those five times...I'd fall in love with the same person.
We live on top of the created world, I think to myself, not in it.
Because the life that I live - the life that we all live - is filtered through [one's own] experience. It isn't necessarily optimistic when you look at the political phenomena, the different things that are going on in the world.
If anyone went on for a thousand years asking of life: 'Why are you living?' life, if it could answer, would only say, 'I live so that I may live.' That is because life lives out of its own ground and springs from its own source, and so it lives without asking why it is itself living.
You live in the image you have of the world. Every one of us lives in a different world, with different space and different time.
Players live a different life. They've been blessed. They live in a bubble and they live in a world where they get everything really. They've become film stars.
When we're not filming or promoting then, you know, I live two different lives. So when I'm just in Taylor's life, and I'm just, you know, at home spending time with friends, it's great, it's a totally different life than this 'Twilight' world for sure. But it's amazing; our fans are the most passionate fans in the world!
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
I certainly do like to live life on my own terms. It would be great to live in a world where women get the respect and support that my family has given me to make my own choices.
Each language has its own take on the world. That's why a translation can never be absolutely exact, and therefore, when you enter another language and speak with its speakers, you become a slightly different person; you learn a different sort of world.
Essentially, Louis XIV created exclusivity. If we look at how we live our lives today, many of us are members of clubs or gyms. We search out exclusivity. He created the world of fashion at Versailles.
What excites me about a lot of the artists I love - and I realize, well, they created their own personal world that I could enter into through their music and through their songwriting. There's people that can do it instrumentally, like Jimi Hendrix or Edge of U2 or Pete Townshend. I didn't have as unique - a purely musical signature. I was a creature of a lot of different influences.
We live in our own world , A world that is too small For you to stoop and enter Even on hands and knees, The adult subterfuge.
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