A Quote by Parker Posey

It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
Mickey Rourke's character in 'The Wrestler' - that was my dad, that was my uncles, that was so many members of my family. It was the only thing they knew. And then they would end up wrestling for a hundred bucks, go to autograph signings for two hundred bucks.
Someone pays me a hundred bucks every Tuesday to DJ. I don't think I'll ever give that up.
I'd rather be somewhere building a house, if I knew how. The whole idea of being a professional artist is like a demeaning kind of thing.
I was feeling a bit down, I went to a therapist a few times, at a hundred bucks a pop. But then I realized that no therapy session would ever cheer me up half as much as if I was just strolling along and found a hundred dollar bill.
From age 23 to 44 - I'm 45 now - I was always in need of money, and I was especially in need of it from 23 to about 34, and my great aunt would always give me money, a hundred bucks, every two months or so, and a lot of times that hundred bucks made a huge difference - I could eat or pay a small bill. It kept me going. She gave me money. It was very loving.
You long to jump off, but you just can't work up the nerve, so you tell yourself you're content to look at the view.
Even though you make twelve hundred bucks a month, if I was making twelve hundred bucks a month to play baseball, I would have done it. I would have stayed.
The toughest thing about making movies is being apart from your family. One of the things I try my best to do is call my wife every day to keep up to speed with what's going on in her life. And tell her what's going on with mine.
One of the sports I do - my wife thinks I'm nuts - is open-water spear fishing, what we call blue-water hunting. We get in a boat, and we go offshore, normally about 30 miles. So when you jump off the boat, there are no reefs, and the bottom is no longer fifty or a hundred feet: it's thousands of feet. It's sort of like being in outer space.
I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.
I don't have a nickname. But, hey, they can call me what they want - The Silent Assassin, The Underground King. In Japan, they call me American Knuckle Star. Call me what you want.
I usually just pick a genre of movie that I feel like saluting and then go off and come up with something that I can sort of pay homage to. That's the great thing about our show is we've sort of created a landscape for 'Psych' where we're kind of allowed to go off and give shout-outs to movies that we love, genres that we love.
Listen! Clam up your mouth and be silent like an oyster shell, for that tongue of yours is the enemy of the soul, my friend. When the lips are silent, the heart has a hundred tongues.
It's hard to tell with these Internet startups if they're really interested in building companies or if they're just interested in the money. I can tell you, though: If they don't really want to build a company, they won't luck into it. That's because it's so hard that if you don't have a passion, you'll give up.
Supernatural movies generally have a much more brooding pace. If you look at films like 'The Sixth Sense' or 'The Others,' it's more building up the characters and building up the situation as opposed to just opening with a big action set piece.
But ordinarily you think otherwise: you think if you are silent you will be sad. Ordinarily you think, how can you avoid sadness if you are silent? I tell you, the silence that exists with sadness cannot be true. Something has gone wrong. You have missed the path, you are off the track. Only celebration can give proof that the real silence has happened.
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