A Quote by Parker Posey
I love playing a woman suffering, thinking about the choices that she's made and obviously wanting more. It's classic.
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Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
I love Adele; she's a timeless, classic beauty. I think she's beautiful. She's just a real woman.
When I made 'Monster,' I didn't think about it being about a woman. I didn't think about that she was a lesbian. I was telling a story about a specific person who was tragic and looking for love in the world, and the more I could make her you, the more of a victory.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
She wasn't afraid of difficulties, what frightened her was having to choose one particular path. Choosing a path meant missing out on others. She had a whole life to live and she was always thinking that, in the future, she might regret the choices she made now.
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.
Wonder Woman, she's amazing. I love everything that she represents and everything that she stands for. She's all about love and compassion and truth and justice and equality, and she's a whole lot of woman.
When a man thinks about a woman he thinks about love, he never thinks about marriage. When a woman thinks about a man, she thinks about marriage. Love is secondary, security is first. She lives in a different kind of world - maybe in the future she may not, but in the past the only problem for the woman was how to be secure.
It wasn't a leap for me to go from not wanting to be in my body as a teenager, not wanting to be in my house, to thinking, 'What would happen if I had disappeared?' And then going from writing scenes of angry kids to thinking a little more about the parents and what their lives would be like.
It made me very sad, that question. Sad and defeated. Because I knew she knew why I was thinking about that woman-I was thinking about my own tendencies toward aloneness and I thought I could end up like that woman, with a bird perhaps, or a dog-probably a dog, I know birds are supposed to make good pets but I think there's something creepy about them-but alone with a life that didn't touch or overlap with anyone else's, a sort of hermetically sealed life.
An inconstant woman is one who is no longer in love; a false woman is one who is already in love with another person; a fickle woman is she who neither knows whom she loves nor whether she loves or not; and the indifferent woman, one who does not love at all.
People expect you to be with stars like Beyoncé. Obviously she's amazing, but you can't get starstruck as there's too much build-up to it. It's like, 'Clear the corridor so she can walk down it!' And she's like some fembot. There's too much faff and you end up thinking, 'Who cares?' If I was chatting to Hugh Fearnley-Whittingstall about chickens I'd be much more excited, as I love him.
Joanna is a strong female character, and I love playing her. But one of the things about her is that she always says exactly what she's thinking.
I love Chanel. Everything about her was personal. All of those lions she made, she handmade them. Red and green, they were her favorite colors. She kept it personal and real, and she was a woman.
In the last workshop I taught, a woman flew in from Thailand. She's a medical doctor in Bangkok. I asked her in her one-on-one session where she wanted photography to be in her life.Did she want a second career? Was it about earning money? Or was it art? And she said "None of those. I want photography to be serious in my life." It would be like someone wanting music, like piano playing, to be a richer, deeper, and maybe even harder experience.
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