A Quote by Parker Posey

I think people probably think I self-start, but I don't... I'm an actor, and I like to be of use to the director. To be a muse. — © Parker Posey
I think people probably think I self-start, but I don't... I'm an actor, and I like to be of use to the director. To be a muse.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
I think 'director' is a very broad term. I like to think of myself as the head collaborator, not the director, because I think, for a lot of people, 'director' connotes giving orders and telling people what to do.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I think like an actor when I'm acting, and I think like a director when I'm directing.
I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.
But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
I think each character is different for me, but I am a director's actor. So if I get the right vision and right guidance from my director, I think sky is the limit for me.
I think acting helps me as a director no matter what. There is something about being reminded about the vulnerability it takes to be an actor and what I'm really asking of actors every day when I'm on set as a director that I think it's a really good reminder.
I was amazed by how much you have to think about as a director. As an actor, you don't have to think about much at all, as it turns out. It's very easy. And then when you step into the director's role, there's this whole universe of stuff that you have to pay attention to that's amazing to me.
When there's an actor involved, the actor's talking to the director or the director's talking to the actor. But when there are not those two people interacting, it's all one person in your own mind, you have to be so extra-clear about what you need.
I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.
I think I am a good actor myself. If I wasn't a director, I would have been an actor.
I think people inspire me the most. If I meet a person who is incredibly complex, and all of a sudden, I start thinking in rhymes, that person could be a muse.
The real work of an actor goes on inside, and I don't think it changes from director to director - I always go for broke! But I don't get a lot of direction, unfortunately.
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