A Quote by Parker Posey

I'm an actor, so I like costumes. — © Parker Posey
I'm an actor, so I like costumes.

Quote Topics

Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
I design all of my costumes. I like to go out there and feel like I have contributed to every part of what I do. I choose the music, the choreographer, I've obviously chosen my coach, my costumes - all if that falls under my realm of power, my realm of influence.
The actor's always as good as the stories are. And so many important things, there is the light, there is the costumes, the makeup, there's the text, there's so many elements which the actor himself cannot control. But the script is the most important thing. First of all the story, and then you go from there. You know, it's like you stand in the kitchen, and say are we making a fish or do we grill a steak? And you go from there.
I always like to be somebody scary. When I was little, my mom used to make our costumes. She's really creative and would make us great costumes without having to spend a lot.
I love doing costumes. The costume is an actor's first line, so it's gotta be right!
The fictional work is a kind of actor that wears a satirical garb but can put on other costumes as well.
I'm a really artistic person, and so, with the live stuff, there's a lot that I think is really cool. Beyonce and Rihanna have all these dancers. So with the live costumes and video costumes, I'd really like to have my vision. The way that I want people to dress is very specific. I love fashion.
I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers.
Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.
I love people who expect me to wear great, feathery costumes- and I do it. It's like an actor getting into his costume for his part. I don't really feel that part until I'm into whatever I'm going to wear.
We said, as we were developing 'Iron Man 1,' and working on these films, that our characters need to be as interesting out of their costumes as they are inside their costumes, fighting and flying around.
I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
I'm a T-shirts, sweatpants, and jeans kind of gal; I dress really simply and comfortably. But one of the things I love about being an actor is that I get to wear amazing costumes.
When I'm in Los Angeles, sometimes I hesitate saying that I'm an actor because people are like, 'Of course you are.' And I'm like 'No,' not, 'Of course I am.' In L.A., being an actor is like a pastime: everybody there is like, 'I was on this reality show; I'm an actor.' It becomes a word that is loosely thrown around.
I think, when someone say, "When did you feel like an actor?" it's those moments when I feel like, "I'm an actor, wow." That's an extraordinary moment for me. So it's not like I walk around going, "I'm an actor."
When I'm working with Red One, we all have to do everything, from making sets and costumes to tearing tickets. Forget about craft services! So when I get on a film set, it's a thrill to be just working as an actor.
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