A Quote by Parker Stevenson
I think the reaction to a World War II situation would be the same today as it was in 1942. Initially, people would question, but once patriotism got stirred up, the whole thing would gather momentum and we'd all pull together.
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I think people would be up in arms. I think we would most likely have a similar situation to what happened in the 60s. I don't know if it would be as violent, I think it would be difficult to say that. But I think that, from what I can understand, our nation as a whole is largely against the war as it stands.
In an all-out nuclear war, more destructive power than in all of World War II would be unleashed every second during the long afternoon it would take for all the missiles and bombs to fall. A World War II every second-more people killed in the first few hours than all the wars of history put together. The survivors, if any, would live in despair amid the poisoned ruins of a civilization that had committed suicide.
If a sufficient number of people who wanted to stop war really did gather together, they would first of all begin by making war upon those who disagreed with them. And it is still more certain that they would make war on people who also want to stop wars but in another way.
Let's contemplate this, how many people would die if war breaks out. There are 2.7 billion people in the world. One-third could be lost; or, a little more, it could be half... I say that, taking the extreme situation, half dies, half lives, but imperialism would be razed to the ground and the whole world would become socialist.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation.
After World War II it was decided that, in order to prevent the Germans and the French from having another war, it would be better to tie them together into one economic pact so they would invest in each other and have mutual stakes. Until now, that has worked to prevent warfare between the two.
I knew kids whose first car was one of those exclusive Range Rovers, where only two of that model would be made in the world. I would visit my friends' houses, and they'd be as big as this whole gym. And then I'd go home, and me and Justin would be sleeping together. On a pull-out couch.
In the old days, people would gather around the fire, or they would gather at a tavern, and they'd tell a story. And then, maybe a week later, someone would tell the same story, but with a different twist on it. That's how folk takes evolved.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
What's somewhat puzzling is that Churchill himself knew what the reaction would be to any sort of aerial attack on cities, because in 1938 he said that in a future war British cities would be attacked by bombing, and that the response would be that all men would want to join the fight because they would be so incensed by this cowardly manner of attack. Which is a very natural response: when something drops on you from the air and blows up a bunch of buildings and kills people in their sleep, the reaction is going to be rage, confusion, and a search for something to destroy in retaliation.
I wonder how many people would have thought at the end of World War II that the capitalist system would be one that was meeting the challenges and making things better for people as we approach the 21st century.
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
My family was, I think, a bit more radical than most Mormons, especially on the question of gender. So in my mind, growing up, there wasn't ever any question of what my future would look like. I would get married when I was 17 or 18. And I would be given some corner of the farm, and my husband would put a house on it, and we would have kids.
I carried this problem around in my head basically the whole time. I would wake up with it first thing in the morning, I would be thinking about it all day, and I would be thinking about it when I went to sleep. Without distraction I would have the same thing going round and round in my mind.
People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.
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