A Quote by Parminder Nagra
But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in.
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But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques; which is what we wanted to incorporate into the film. And some of those things we eventually got in.
You can score goals at youth level but men's football teaches you things. It teaches you real football and you realise that this game is sink or swim.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
When I was growing up, I wanted to be a coach. I had people telling me you can't do this, you're not a great player. Be realistic. When I got rejection letters from colleges where I wanted to coach, my mom would say, "You are going to make it someday. You have something special within you and that is your spirit for life which will help you get to the top."
There are some qualities, some incorporate things, that have a double life, which thus is made. A type os twin entity which springs from matter and light, envinced in solid and shade.
But at some point, we've got to have disciplined play and have got to coach better. I'm not putting it on the players. We've got to coach them to tackle and block better. It's as simple as that. If we can do those things, we'll have a chance.
I was always inspired by Brazilian football growing up. Those huge Nike campaigns, the Jogo Bonito campaigns that had Ronaldinho, that's the beauty of the game that I love.
I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.
When we look back, the only things we cherish are those which in some way met our original want; the desire which formed in us in early youth, undirected, and of its own accord.
It's tougher to be a football coach than the President of the United States. You've got four years as a president, and they guard you. A football coach doesn't have anyone to protect him when things go wrong.
I do not like football, which I think of as a game in which two tractors approach each other from opposite directions and collide. Besides, I have contempt for a game in which players have to wear so much equipment. Men play basketball in their underwear, which seems just right to me.
Having heard Clifford Brown play all those fast runs, I used to really practice Clarke trumpet exercises all day long so that I could play fast. That's all I wanted to do. I was like a child with a toy.
Me and Coach Koetter have a great relationship, first and foremost, and we've got the same goal when we go out there on that football field - and that's to win the football game.
The Limits Of Control is not surrealism, but it is an experiment in which expectations are deliberately removed: expectations for narrative form, for action in a film, for certain emotional content. We wanted to remove those things and see if we could still make a film that was a beautiful film experience, with deliberately removing things many people would expect.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
We had a great preseason. The guys responded with what coach (George Karl) wanted early on in pace of the game, togetherness and defensive intensity. We've improved in those areas with a couple of setbacks, but we've improved each game.
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