A Quote by Parminder Nagra
My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time.
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The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
You just never know with movies how they'll be seen in a few years. You have no idea. Like, movies that were super popular when they came out have been forgotten. And other movies - and I put 'Sarah Marshall' in this - kind of weirdly stand the test of time a little bit.
Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies.
I'll be honest with you. My kids don't watch my movies and never have. I can maybe name a film one hand that they've seen, actually, all the way through.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
It's great to have loads of Marvel movies, but the movies that reflect our lives - that's why I came to the movies, and that's what I love. I want to see stories about my life being reflected back at me, and there's not that many of those anymore. It's a real shame.
I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.
It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?
When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.
My father had been an avid fan of Chaplin during the silent film days, but when the talkies came along, my father lost all interest in movies.
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
I think British humour is very cruel, and gay humour is very cruel. I think the two go hand-in-hand and that's why they mix so well in England. I think that's why you get so many gay comedians in England that are accepted so well because British humour is very cruel. I love it.
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?
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