A Quote by PartyNextDoor

You know what matters? Touching people. Being a real person. Because when you're in front of real people, they gon' give you a real reaction. — © PartyNextDoor
You know what matters? Touching people. Being a real person. Because when you're in front of real people, they gon' give you a real reaction.
To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
I'm a real person. I have real feelings. I have real thoughts. It's a quality people like about me. They can reach out and touch me. I wouldn't give it up for anything.
some soap opera, you know, real people pretending to be fake people with made-up problems being watched by real people to forget their real problems.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
Real people had real agendas, real demands, real expectations about how other people should behave.
A lot of people question how talented I am. But I'm a real dude and I know real things and I've seen real people get their head blown off.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
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