A Quote by Parvathy

I know how difficult it is to learn languages, since I am working in three regional industries in South India, and unless the director wants my voice to be dubbed, I do my own dubbing.
Translations are very important these days, since an average person can only know 2-3 three languages. We have so many languages in India and poems are being written in as many of them.
I've dubbed for my roles in Hindi, English, and Italian. Therefore, I'm used to the process. But, dubbing is hard, especially when you are dubbing for a prominent actor.
Actually, I want to work in all the languages in India, even if there is no money in some of the industries, like Bhojpuri, for instance. I like travelling, I like doing other films, checking out technicians and working with actors in different film industries. This is my plan.
There is a wealth of readership for regional language literature in India that is not given importance. We must give respect to our own languages.
India did not innovate with the ATMs. But when we brought ATMs into India and made the machines talk in 15 regional languages to the people in rural India, we got millions of transactions on the ATM.
I have dubbed in all the three languages - Hindi, Tamil and Telugu.
Bollywood is just one of the industries I am working in. I have sung in other languages and for ad jingles too.
When you become a driver, they don't tell you that you have to switch languages. The drivers have their own language and they don't tell you that as girls. How am I supposed to know that blinking light means something? There are all these little languages that you have to know, but you don't know.
Even in India the Hindi film industry might be the best known but there are movies made in other regional languages in India, be it Tamil or Bengali. Those experiences too are different from the ones in Bombay.
Dubbing has become big now with dubbed versions of 'Baahubali' doing so well.
You can assist another director and learn the ropes of the craft over the years, but becoming a director is about finding your own voice, so you've got to experiment.
I have acted in all four film industries in the South. I speak all four languages because of my upbringing in various cities.
As far as the industries go, in the North, they think I'm a South Indian actress; down South, I've always been thought of as a Bombay girl. I guess it's sort of an identity crisis, even though I'd like to belong to all the industries.
The basis for securing preferential future trade terms with India begins in that recognition of essential equality. Indeed it begins in recognising that India is now an emerging global superpower whose primary interests are regional in South East Asia and who needs a deal with the U.K. less than we need one with her.
I've dubbed for as many number of films as Uttam Kumar has acted in. However, dubbing artistes are never given a recognition and are expected to be conditioned to that too.
You go out into the world, you read everything you can read, you imitate the things you love, and you learn how hard it is to do. Eventually, you learn your own vision of the world, you learn your own voice and how to hear it, and you learn to write your own work. Writers today have as many opportunities as my generation did, but they don't see the examples as clearly as we did.
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