A Quote by Parvathy

Awards are like a pat of appreciation from the jury and viewers. It is almost like them saying, 'So, you have done well; we expect you to carry on doing good work.'
I believe in an artiste's life, there are two kinds of awards - first is the appreciation and good wishes he or she gets for his work from the audience and secondly, the recognition in the form of awards.
A person who actually knows how to wear clothes...they would look good in any clothes. You see this especially at the Academy Awards. Even if the dresses are beautiful and expensive and important, the actresses can't always carry them. Sometimes I feel like saying to them, "Act! You know how to act, you're an actor. You're about to win an award for, I don't know, convincingly playing that Venezuelan nun who went to war. Now act like you can wear this dress.".
Don't expect a pat on the back for merely doing your job, but know that you'll get one for doing it exceptionally well.
Our viewers are loyal. They've seen Pat and me together for 30 years. It's like Ken and Barbie. How do you break them up?
When I see an artist whose work I like at a party - I'm old now, so I can do this - I go right over and tell them how much I like their work. Instantly, I'm on their side. The act of saying it takes away the competition. The act of saying it makes me not hate them anymore, because they're good.
I don't like looking at awards everyday because I feel like they can make you lazy. So, I give them to my Mom and let her look at it everyday. They are symbols of the hard work she put into me. Her sacrifices allowed me and my team to win those awards. But I don't look at any awards everyday.
Our expectation of the gratitude of others for what we've done for them is sometimes exaggerated because of our deep desire for appreciation and approval. When our good work or good deeds go unrewarded by hoped for praise, we feel like failures so we treat those who denied us our due as betrayers.
Pat has been instrumental in what we've done here so far and the most selfish thing for me is that I want to see what we've done placed in the hands of the most competent person, and that's Pat. No one would come close to being able to continue to build on what we've done here so far like he will.
For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.
Certain Academy Awards like Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
I do have high expectations, like anyone does. I expect myself to do well. It comes with all of the work I've put in and what I expect from that work.
When you have Candidate A saying the sky is blue, and Candidate B saying it's a cloudy day, I look outside and I see, well, it's a cloudy day. I should be able to tell my viewers, 'Candidate A is wrong, Candidate B is right,' and not have to say, 'Well, you decide.' Then it would be like I'm an idiot.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
There are slavish souls who carry their appreciation for favors done them so far that they strangle themselves with the rope of gratitude.
This site uses cookies to ensure you get the best experience. More info...
Got it!