A Quote by Parvathy

I have worked in films where we just put on the make-up and go in for a shoot without any discussions and even a talk with the director. — © Parvathy
I have worked in films where we just put on the make-up and go in for a shoot without any discussions and even a talk with the director.
In America, they shoot budgets and schedules, and they don't shoot films any more. There's more opportunity in Europe to make films that at least have a purity of intent.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
I love good TV shows, but it's not what I do. I kind of sculpt my films as I go along. And TV is all about writing, so you just shoot, shoot, shoot what's written.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
I was constantly shooting. Sometimes I would shoot through the night and in the morning go to my next shoot without any sleep or just two hours of sleep.
I think I'm drawn to films more as a director with a directorial mind even as an actor. I make movies to make the films, not to act.
I never accepted any invitation which came only in my name. I never took any calls before 9am and after 10pm. As soon as my shoot would wrap up, I used to head home without even removing my make-up. I did everything that a girl should to keep her man happy.
Sometimes, they don't even make films with good cameras - they shoot with normal cameras and release the films. If this is going to be the case, the industry will not see quality films.
I knew ART was was going to give me this opportunity to expand my role as a director and finally let me have a seat at the table where I could get involved in these policy discussions and producing discussions and, frankly, the financial discussions.
I know nothing more enjoyable than that happy-go-lucky wandering life, in which you are perfectly free; without shackles of any kind, without care, without preoccupation, without thought even of to-morrow. You go in any direction you please, without any guide save your fancy.
Put your whole energy into meditation. Once you are centered in your being, once you know the inner path, then wherever you are you can manage to go to the center without any difficulty. Even when you are dying, it will not make any difference. You may be sick, it will not make any difference.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
I had just gotten to the point when I could have bought any car I wanted to in America. I even looked at a Hummer. But one day I woke up and realized, how can I talk the talk without walking the walk? If you can feel good about not contributing to global change, then all the power to you, but I couldn't.
I did watching my films with an audience at the beginning when we went to Sundance and we screened The Savages there. I watched it, and I was just praying to God it worked, because we weren't even finished. I was just hoping it worked, so half of it was just, "Phew."
I'm a director because I directed a movie. And if I have any advice for people, it's, 'Go write something; go direct it. If that's what you have a desire to do, go do it. If the movie stinks, just put it on the shelf and try to do it again.'
With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.
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