A Quote by Parvathy

I have worked with big actors, but honestly, I don't judge the viability of a project on the basis of the star value attached to it. — © Parvathy
I have worked with big actors, but honestly, I don't judge the viability of a project on the basis of the star value attached to it.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.
Actors are judged as big and small on the basis of the fee they charge. If it was for acting potential, dedication and good banners I could have been a star today.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
How come actors feel like they have to give some kind of personal revelation attached to the project?
Honestly, I look at the project and I look at the people attached and I look at the director. If it's a role that I feel will help me, as an actor, then I'll definitely take it.
You have actors you've worked with previously, and you have actors you haven't worked with that you've seen in things where you know they can work in these parts. And then there are actors who blow you away, who surprise you.
Sometimes when people are attached to a project, they need persuading to stay attached, and then, in retrospect, they're not the right person.
I have worked with the biggest actors from the beginning. I am hoping God will bless me to work with other big actors.
Actors are responsible to the people we play. I don't label or judge. I just play them as honestly and expressively and creatively as I can.
I had this project called 'Ruin' in my head for six years or so. This really big, really ambitious sci-fi thing. It's kind of my 'Star Wars'. I'm trying to achieve what 'Star Wars' did for me as a kid.
American actors are very different to British actors who have generally studied and been brought up culturally with the sense that the writer is the star and that their job is to serve the writing. Whereas Hollywood actors are brought up to believe that the actor is the star, and everything and everybody is in the service of them.
There is, however, a moral basis for the vegetarian diet for which the indeterminate value of an animal's life takes on irrelevance. And that moral basis is a concern for the environment, a value as absolute as the value we all place on human life, since humanity will not survive for long on a poisoned planet. To be an environmentalist who happens to eat meat is like being a philanthropist who doesn't happen to give to charity.
The financial markets are rigged by the big banks, the Federal Reserve, and the Treasury in the interests of the profits of the few big banks and the dollar's exchange value, which is the basis of U.S. power.
To be honest, we spent many years at Warner, and in the very beginning, there was a very passionate team that worked alongside us on a daily basis. Every year that went by, we would lose just about every single person that worked directly with us, to the point that I honestly couldn't have picked up a phone and gotten one person who knew me.
When you're writing a pilot, unless you already have an actor attached to the project, you're writing it with all the voices sort of in your head. Once you actually cast it, the actors become the voices of the characters, and you start to write for them and their strengths.
In other words, the unique value of the "authentic" work of art has its basis in ritual, the location of its original use value. This ritualistic basis, however remote, is still recognizable as secularized ritual even in the most profane forms of the cult of beauty.
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