A Quote by Pascal Siakam

Moving from Cameroon to Texas, that was a change. Learning English, the culture, everything was different so I had to adjust. — © Pascal Siakam
Moving from Cameroon to Texas, that was a change. Learning English, the culture, everything was different so I had to adjust.
The Texas Republican Party is in many respects like the national party. We have different components that all add value in different ways, whether it's the Tea Party on fiscal questions, whether it's the so-called establishment that's focused on economic development questions, moving states like Texas forward.
I have engaged in hyper-male culture, and I'm learning about it, and I'm learning how I can change and help young boys and young men change.
To give you an idea about how old I'm getting, we had some family living in Texas for a while, and we went to the Texas museum at the University of Texas in Austin, and they had this whole Texas Instruments section, and my Speak & Spell was an exhibit in the museum.
Different coaches have different schemes, so for me, it's about learning and being able to adjust and adapt to these coaches. It fills your toolbox.
Performing in Detroit or performing in Chicago, you're on your own turf, but when you tour a show, the audiences change. You're in a completely different space; sensibilities change. I think I learned a lot from doing that - how written material works in different places, learning to have confidence, learning the idea of how to be adaptable.
The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.
When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.
In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.
I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.
We are the "can do" country. We adjust to situations better than any people in the history of the world... We adjust to change.
I have a different kind of experience than other girls had. I've had to face a lot of different styles and adjust to them. I had to face a lot of bad situations and come back. I've had to fight with my eyes swollen shut and my nose broken and bloody.
Having managed in Holland, Spain, and Germany, I had always hoped for the opportunity to manage in English football and be part of English culture.
I've always felt very much from a mixed culture - mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.
A lot of my family is from Texas, stuff like that, so I was always in Texas, and when you grow up in Texas, around Texas, you want to go to the biggest Texas school, and UT was that.
Coaching at Texas and playing at the University of Oklahoma, I had the opportunity to see a lot of guys in Texas - Texas lettermen - who I played against.
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