A Quote by Pascal Siakam
Watching Ibaka and all those people. They were from Africa. They spoke French. They were kind of like me. That's when I began thinking basketball is something I can do.
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I'm 9, 10, and I'm watching the Apollo astronauts go to the moon. We're sitting on the floor of a school, and they have this... huge TV, and I'm looking at that, and I'm thinking 'Me, I would like to do that.' But it didn't dawn on me then that they were American; I was Canadian. They were men; I was a girl. They were test pilots, military folks.
I began to think about those that were in my situation that were not able to walk out of an abusive marriage, or maybe those that did not know where to go, that were in a single headed marriage, or widows. I was thinking what it was I could do to reach out to them.
Belgium is half French-speaking and half Flemish, and I was born on the French side. So we spoke it a lot - like, in kindergarten, it was almost all French. But then I moved to New Zealand when I was 10, where we obviously spoke English all the time, so I lost the French a little bit.
I know people that was playing basketball better than me. If they were in the NBA, they could be All-Stars, those people. They just never had the opportunity to go play professional basketball in Europe.
Those years on the golf course as a caddie, boy, those people were something. They were vulgar, some were alcoholics, racist, they were very difficult people to deal with. A lot of them didn't have a sense of humor.
I spoke French a bit, and I could speak a bit of this and that, and when you were taught those things by people who couldn't really do it, you can do some pretty wonderfully, imaginative horrific things to teachers.
When I began painting, all my paintings were of words which were gutteral utterances like Smash, Boss, Eat. Those words were like flowers in a vase.
Dr. Adler had instructed me to always say whatever I was thinking, but this was difficult for me, for the act of thinking and the act of articulating those thoughts were not synchronous to me, or even necessarily consecutive. I knew that I thought and spoke in the same language and that theoretically there should be no reason why I could not express my thoughts as they occurred or soon thereafter, but the language in which I thought and the language in which I spoke, though both English, often seemed divided by a gap that could not be simultaneously, or even retrospectively, bridged.
They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
There were actually times where I thought, 'Do people even remember us? Are people gonna be interested in hearing what we put out next?'And, you know, there were times I felt like, 'Are there going to be people out there waiting for this record?'. So we kind of live in a bubble, in a sense. We're very closed off to that whole world of thinking about those kinds of things.
When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.
In Montreal, where I taught in 1970, I met many people. The only ones who said to me they were Canadians, were Jews. All the rest were Scotts, Irish, English, French, Swedes.
There were times when there were riots in Africa, demonstrations against the IMF because of the policy advice they were giving, the conditionalities they were imposing, and the difficulties that arose out of the implementation of those conditionalities.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
People say that slaves were taken from Africa. This is not true: People were taken from Africa, among them healers and priests, and were made into slaves.
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