A Quote by Passenger

I'd get a train to some town and wander about to find a decent spot. Sometimes I'd play for three hours; sometimes I'd get moved on after three songs. — © Passenger
I'd get a train to some town and wander about to find a decent spot. Sometimes I'd play for three hours; sometimes I'd get moved on after three songs.
Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."
Sometimes I'll get ideas in the middle of the night. Sometimes at 3 in the morning I'll get up, and I have a notebook by my bed and have to write it down. I'll dream an idea. Sometimes I see an image online, and I think, 'OK, let's make that a three-layer cake!'
I've been able to carve out spaces for myself. At Sundance, I'm in the mountains - my property is private. I get on a horse and ride for three, four hours. Sometimes five. I get lost. But when I'm in, I'm in.
Some songs you get. Some songs you may not. And I think that's the beauty of art: to question and to ask, to understand the deeper meaning after two or three or four listenings.
I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
After hours, I would train, train, train, six or seven days a week, until 2 or 3 in the morning sometimes.
Sometimes I have a feeling that I just can't get rid of. Sometimes there's an experience that I want to write about that I have to get off my chest. Sometimes there are some words that appeal to you.
We all get lost once in a while, sometimes by choice, sometimes due to forces beyond our control. When we learn what it is our soul needs to learn, the path presents itself. Sometimes we see the way out but wander further and deeper despite ourselves; the fear, the anger or the sadness preventing us returning. Sometimes we prefer to be lost and wandering, sometimes it's easier. Sometimes we find our own way out. But regardless, always, we are found.
I practiced two or three hours, sometimes none, sometimes six. It was very varied.
I played street football from the age of seven and later went into the varzea. Sometimes I'd play as many as three or four matches a day: I couldn't get enough of it. It'd get to the point when my muscles would cramp up.
We bought property after Iniki in '92. I figured we'd never find better bargains. As it turned out, we didn't get a bargain, but we did find the spot we wanted to live on. It actually took a couple years to secure that spot. Then, after we moved, it took over 10 years to start construction on the house. It's still a work in progress.
My job is to be able to perform for three hours or three and a half hours every Sunday and I've got to work my tail off to get to the point where I can do it, and that's what motivates me.
I spent three seasons at Benfica looking to be in the first eleven. Sometimes I got in and sometimes I didn't. Sometimes injuries denied me. Sometimes the strikers who were in my position, they were scoring and scoring so it was difficult to play.
Sometimes if you get 'em too drunk they don't pay no attention to what you're doin' anyways, so you might as well just do old songs. But if you get one that's paying attention, sometimes we'll do some new material.
If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.
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