A Quote by Passenger
I still have the mentality of a street musician, because I was one for five years. Every opportunity that comes my way, I feel like, 'Absolutely, let's do this.' Sometimes, it's to my detriment. But I don't think you become successful by not saying yes to opportunities.
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I feel like I'm struggling now, and nearly every musician I know feels that way - even the most successful ones. I realize that I'm very lucky, but I still feel like I could be doing so much better.
I think that the word 'ambitious' is still used in a derogatory way when it comes to women, in a way that it's not when it comes to men. It's a generalisation because not everyone is like this, but I think there's almost a love-hate relationship going on with successful women, where you can be a little bit successful and you'll be celebrated, but don't become too successful because that seems to bring out the hate in some cases. Take one glance at social media and you can see that successful women don't seem to be treated with the same respect as successful men.
Every time I have the ball in my hands, which is every play, I feel I'm the best player on the team. That's just my mentality. I'm not saying that in a cocky way, but everybody should have that mentality when they step on that field.
Obviously, once you've won a World Cup, your mentality and responsibilities change. I'm not saying we now feel superior every time we play. But we do believe that, with our way of playing, we can achieve great things. We absolutely want to win it, as doing so would mean this generation has won every title possible.
The lack of opportunity is ever the excuse of a weak, vacillating mind. Opportunities! Every life is full of them. Every newspaper article is an opportunity. Every client is an opportunity. Every sermon is an opportunity. Every business transaction is an opportunity, an opportunity to be polite, an opportunity to be manly, an opportunity to be honest, an opportunity to make friends.
I think my playing has been orchestral throughout the years, and this is another way of expressing that. But I primarily see it as the ultimate accomplishment of a musician. Composing makes me feel like I've finally gotten all the way up the ladder as a musician.
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
I still think I'm like the poor girl from Colorado who worked three jobs to buy a car. That's still my mentality, so I'll be walking down the street, and I forget what I do and who I am.
I don't think my skill level is up there as a musician. I think I'm best at writing in general. The musicians that I know are really good, and I feel like I have a lot to do until I become a musician.
There are still vestiges of societal limitations on women. I tend to think that has to do with opportunities that are available - it says a lot that it's still sometimes the best opportunity for a woman to be able to advance herself.
Some cynical people may see that the only reason I'm doing something more mainstream is part of a strategy to become more successful but I just see it as a bonus. It just happened... that's the way it is and there's an opportunity there and we're going to take advantage of it. I'd rather if I'm going to be working as hard as I've been working for the last two years - non-stop, solid, no personal life, no break - then I want what I've been working on to be as successful as possible. And I will take advantage of every opportunity that comes my way.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
One of the most painfully inauthentic ways we show up in our lives sometimes is saying "yes" when we mean "no," and saying "no" when we mean "hell yes." I'm the oldest of four, a people-pleaser - that's the good girl straitjacket that I wear sometimes. I spent a lot of my life saying yes all the time and then being pissed off and resentful.
Do I think people who need a good opportunity become harder workers sometimes? Yes.
It's funny, our beauty standard has become harder and tougher because we live in a tough age. I don't think anyone wants to walk down the street and feel vulnerable. You want to walk down the street and feel like you're in control.
With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.
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