A Quote by Passenger
I can play the main stage at the Newport Folk Festival in front of 10,000 people and do all the gigs and stuff I want to do. Then I can go home and get toilet paper on a Sunday morning and not get hassled.
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I love being in an arena that has like 10,000 people and huge crowds. I want to do a show at like the Viper room so badly. Like go up on stage and thrash myself around, go jump into the crowd. You can effing swear, get drunk on stage and do whatever you want basically.
At first, I was playing in front of 10 people in a park, then 1,000, then 10,000, then 80,000 and you are on television. I have done it step by step, so it is not a problem. There is no lack of confidence to be on the field, in front of many, many people.
What you have to remember, when you get to the level of seeing 10,000 people a night, is that they've all paid to have a performance. I need to make sure that they get their money's worth. I don't want to be going on stage and saying, "I'm just going to try some stuff and if it doesn't work, it doesn't matter," because it does matter.
If you can't motivate yourself to get up and play in front of 30,000-40,000 people, then you're not in the right job.
I didn't get paid enough money really to live properly, sleeping on people's sofas and stuff, but that was the moment when I thought, 'I just wanna play football professionally; whether I get paid 10 euros or 10,000 euros, I just wanna play.'
You can't put toilet paper in the toilet [in the space ship], so there's a separate vacuum can in front of you on the wall and when you're done, you put the toilet paper in there and seal that up.
People don't think of their office as a workplace anymore. They think of it as a stationary store with Danish. You want to get your pastry, your envelopes, your supplies, your toilet paper, six cups of coffee, and you go home.
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
At my first Olympics, I didn't have a contract, and I wasn't making any money. After my first Olympics, I was working at 24 Hour Fitness at the front desk. I would go to practice in the morning, run home, shower, grab some food and then go straight to work. I didn't get off of work until 10 or 11 o'clock at night.
I get way more nervous playing golf in front of 500 people than being on stage in front of 20,000 people.
You know, they say you can reduce genius to someone who spent 10,000 hours trying to get good at something. I'm not claiming either one of those. I haven't done anything for 10,000 hours but sleep. But you do stuff enough, you get better at it. Usually it's a simple thing like that. Essentially, a brainless endeavor.
I would want to start. I want to run out there in front of 20,000 people and get my name announced. I get it. I get that.
We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'
I like girls who want to get up and dance and don't mind singing in front of my family - you know, silly stuff. Some girls won't eat in front of boys or won't go bowling. They just want to go out and look pretty. I don't really get that. I want someone who is up for having a good time.
I get to put on a helmet, go out in front of 70,000 people and play a kids game. And they pay me to do it.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
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