A Quote by Pat Barker
I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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Fame has not changed me as a person, but life on the whole has changed a lot. I belong to a middle class family and that hasn't changed.
And this is Nymphadora-" "Don't call me Nymphadora, Remus," said the young witch with a shudder. "It's Tonks." "-Nymphadora Tonks, who prefers to be known by her surname only," finished Lupin. "So would you if your fool of a mother had called you 'Nymphadora,' " muttered Tonks.
I'm interested in gay characters - not trying to sensationalize gay characters, just [representing] who are in my personal life. I'm interested in exploring my world and my friends, and a lot of them happen to be gay.
That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.
I didn't want to be behind a desk. I didn't want to do a normal job. I had made my mind up. I became despondent prematurely. I had my mid-life crisis when I was 16. I suppose I'd agree with that. But acting has helped me develop a lot in my private life.
My perception has changed from thinking if someone's in jail they're supposed to be, to there's a lot of factors that's not that simple.
Even though I don't have a lot of spare time, what I do have I'm very protective of, and so I make sure to have a normal life and to remember that, while it's important to keep in mind these conflicts are ongoing, it's also important to enjoy simple pleasures, too.
There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
I think a few of my most visible roles are crazy or peppy girls, but I've played a lot of characters who are soldiers, or fighters, or meditative characters, and a lot of this stuff hasn't come out.
My father was a very tough guy with me and my brothers. He wanted to teach us a lot of discipline and life philosophy. As I became more interested in martial arts, he started teaching a lot of fighting philosophy and karate philosophy. While he was a tough father, he also knew when to be sweet and show a softer side.
I always wrote about girls that went to the beach and had that summer that changed everything. So I was interested in what it would be like to live in a tourist town where everyone has these life changing experiences, but your whole life is there.
I have had a lot of dreams come true as a writer... I've gotten to work with artists I adored as a reader; I've gotten to write characters that changed my life as a kid.
You must create the character's internal life. What do I mean by internal life? I mean the thoughts, feelings, memories, and inner decisions that may not be spoken. When we look into the eyes of actors giving fully realized performances, we can see them thinking. We're interested in what they're experiencing that may never be spoken, that quality of nonverbal expression - which is as much a part of the characters as breathing and as real as what they say and do. This is their internal life. It helps us believe in the characters and care about them.
I think when I became a grandmother my life changed a lot, and I think I changed personally.
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
I did a lot of thinking, and used mental activity to relieve whatever feelings I had. I became very left-brained, and I was good in school. That is, I was a smart kid.
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