A Quote by Pat Barker

Fiction should be about moral dilemmas that are so bloody difficult that the author doesn't know the answer. — © Pat Barker
Fiction should be about moral dilemmas that are so bloody difficult that the author doesn't know the answer.
Fiction should be about moral dilemmas that are so bloody difficult that the author doesn't know the answer. What I hate in fiction is when the author knows better than the characters what they should do.
The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
Fiction is often most powerful when the author is exploring an issue - and not writing like a know-it-all who has the perfect answer.
Why couldn't the world that concerns us- be a fiction? And if somebody asked, 'but to be a fiction there surely belongs an author?'- couldn't one answer simply: 'Why? Doesn't this "belongs" perhaps belong to the fiction, too?'
Freedom is not synonymous with an easy life. ... There are many difficult things about freedom: It does not give you safety, it creates moral dilemmas for you; it requires self-discipline; it imposes great responsibilities; but such is the nature of Man and in such consists his glory and salvation.
It would be difficult for a writer of realism to avoid suggesting a political/moral perspective in his or her fiction. "Politics" per se is absent from my writing but there is usually a moral (if ironic) compass.
I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
Me, I want to bloody kick this moronic bloody world in the bloody teeth over and over till it bloody understands that not hurting people is ten bloody thousand times more bloody important than being right.
It seems like every few years a big name author will holler something about how evil, heinous, and morally wrong fan fiction and fan fiction writers are, and then the Internet gets all upset and shocked, and then the author is shocked that people could get so upset.
Science fiction, as I mentioned before, writes about what is neither impossible nor possible; the fact is that, when the question of possibility comes up in science fiction, the author can only reply that nobody knows. We haven't been there yet. We haven't discovered that yet. Science fiction hasn't happened.
Now, in our opinion no author should be blamed for obscurity, nor should any pains be grudged in the effort to understand him, provided that he has done his best to be intelligible. Difficult thoughts are quite distinct from difficult words. Difficulty of thought is the very heart of poetry.
Like most parents, I think, my children have been the source of some of my most intense joys and despairs, my deepest moral dilemmas and greatest moral achievements.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
There's an imperative to make sure you distinguish fiction from the fact, because if the fact is doing the work, why did you do fiction? And once you raise the question of why - why do fiction? - then you have to answer it in your text as a kind of enactment of the answer.
Novels shouldn’t aspire to answer questions, and I wouldn’t presume to offer advice about love or marriage in any case. What’s fascinating to me about marriage as a subject for fiction—a subject that fiction has taken on with gusto since the 19th century—is how unknowable other people’s relationships are. Even the marriages of your parents, your siblings, your closest friends always remain something of a mystery. Only in fiction can you pretend to know people completely.
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