A Quote by Pat Metheny

Jazz demands that you bring to it things that are valuable to you, that are personal to you. — © Pat Metheny
Jazz demands that you bring to it things that are valuable to you, that are personal to you.
I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I think running a small nonprofit to work on the opioid crisis and bring interesting new businesses to the so-called Rust Belt - all of these things are valuable, if not more valuable, than running for office.
Leaders of the future will have to be visionary and be able to bring people in - real communicators. These are things that women bring to leadership and executive positions, and it's going to be incredibly valuable and incredibly in demand.
But no one, when you stop to think, has ever equated abstract expressionism as a movement with jazz music. It's based on improvisation. The rhythms, the personal involvement, all of this is part of the jazz experience.
I like musicians who look at the public. You have to bring the music to the largest number. Otherwise, we'll [the Jazz players] stay in the clubs. Jazz must be accessible to everyone.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
Jazz is a music that really allows a person to express his deepest self, his most personal self - Africa being the primary source of jazz. Naturally, improvisation and swing are a part of jazz, improvisation being the key.
I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
High SQ demands the most intense personal integrity. It demands that we stand open to experience, that we recapture our ability to see life and others afresh, as though through the eyes of a child, to learn how to tap into our intuition and visualization, as a powerful means of using our inner knowing to “make a difference.” It demands that we cease to seek refuge in what we know and constantly explore and learn from what we do not know. It demands that we live the questions rather than the answers.
I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.
We all know that jazz demands a cultivation of the mind.
A good book ought to bring out lots of different responses from those that read it - none of them pre-planned, and all of them very personal. Whatever they take away from the reading of the book is valuable.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.
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