A Quote by Pat Metheny

The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities. — © Pat Metheny
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
The beauty of jazz is that it can accommodate all styles. You can take jazz and put rock in it, and it's still jazz.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I never had my own name on a bathing suit on Baywatch. I was always given one that said Pamela or Yasmine. I earned my own suit, at the end of the season, which I now have framed.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
I think people psych themselves out before they listen to jazz a lot, thinking that they have to, like, put on a suit or something. That's not what it is.
A suit is just a suit: a practical garment, not a ceremonial robe; it can be worn out to dinner with friends or for a visit to an art gallery. Its beauty and craftsmanship are utterly wasted if you think of it as something magical and symbolic.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
We Russians have assigned ourselves no other task in life but the cultivation of our own personalities, and when we're barely past childhood, we set to work to cultivate them, those unfortunate personalities.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
I want to offer a wide range of classic and contemporary bridalwear to suit all personalities, readily available to try on.
I'm so glad cities have personalities, just like people have personalities. That's something that makes me smile.
I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
For me, painting is that magical material, that beautiful stuff that was invented, the ground-up pigments in oil which makes it very malleable. It can be manipulated and changed, darkened, lightened, given different hues and colors, so that by manipulating this material somehow I can find that figure I'm looking for, that figure that represents all the issues I'm bringing up and addressing.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
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