A Quote by Pat Mora

I often focus more on language than on the conveying of information. — © Pat Mora
I often focus more on language than on the conveying of information.
I don't think we should have less information in the world. The information age has yielded great advances in medicine, agriculture, transportation and many other fields. But the problem is twofold. One, we are assaulted with more information than any one of us can handle. Two, beyond the overload, too much information often leads to bad decisions.
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.
One of the interesting things about the history of poetry in the 16th, 17th, and 18th centuries is that people who read liked getting their information in rhyme just as much as in prose. The genre that we would think of as nonfiction often was written in verse in forms like the Georgic when people thought that one of the tasks of poetry was conveying arguments and information in a pleasant way.
We hypostatize information into objects. Rearrangement of objects is change in the content of the information; the message has changed. This is a language which we have lost the ability to read. We ourselves are a part of this language; changes in us are changes in the content of the information. We ourselves are information-rich; information enters us, is processed and is then projected outward once more, now in an altered form. We are not aware that we are doing this, that in fact this is all we are doing.
The first people that have the information are the hair and makeup ladies and the wardrobe people, because they often have to plan out the clothes: the things that are gonna get bloody, and the different kinds of gunshot wounds they're gonna have to do. They often have more of a preparation, more time, than we do. You can definitely feel on set the actors trying to get that information, and they're of sworn to secrecy.
Many more children observe attitudes, values and ways different from or in conflict with those of their families, social networks,and institutions. Yet today's young people are no more mature or capable of handling the increased conflicting and often stimulating information they receive than were young people of the past, who received the information and had more adult control of and advice about the information they did receive.
Notes and chords have become my second language and, more often than not, that vocabulary expresses what I feel when language fails me.
Fear is a message - sometimes helpful, sometimes not - but often conveying critical information about our beliefs, our needs, and our relationship to the world around us.
Liars hate silence, so they often try to fill it up by talking more than they need to. They provide far more information than was needed or asked for.
Rather than focus on trying to get a lot of customers to market yourself, really focus more on the actual product or service itself and existing users to, like, what would make them happier, what would make them come back more and more times or in our case buy more often.
Take a report. It's dry, the sentences are clunky and unfelicitous, they're just conveying information. But it seems to me that if you're fully engaged in a great piece of literature, once you enter the rhythms of the language, which is a kind of music, meanings are being conveyed that you're not fully aware of. They enter into your subconscious.
The amount of scientific information we've discovered in the last twenty years is more than all the discoveries up to that point, from the beginning of language.
Telegraphs are machines for conveying information over extensive lines with great rapidity.
I'm really not interested in writing about science at all. I mean, I try to get the information right, the details right. But fiction isn't good at conveying information: It's good at telling stories about people in interesting situations.
Watching how customers actually use a product provides much more reliable information than can be gleaned from a verbal interview or a focus group.
When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style.
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