A Quote by Pat Morita

Hip Nip just sounds groovy. A drummer laid it on me. — © Pat Morita
Hip Nip just sounds groovy. A drummer laid it on me.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
My style is clubby and groovy - you can jump to it, but you don't just have to just jump to it. It's not just really bass-heavy and hurts your ears; you move with it, and it sounds kind of tribal.
MTV didn't call. I guess I wasn't hip and groovy enough
MTV didn't call. I guess I wasn't hip and groovy enough.
I ain't calling me God. I'm just doing my part on where I think hip hop should go. I think hip hop should be about more money, crazier sounds, different beats.
It's very far away, it takes about a half and a day to get there, if we travel by my... dragon-fly. No, it's not in Spain, but all the same, you know, it's a groovy name. And the wind's just right... Hang on, my darling, hang on if you wanna go. Hear it's a really groovy place, with just a little bit Spanish Castle Magic.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
For anybody to say well this is not Hip Hop and that's not Hip Hop, that is not the way the formula was laid down. It was for the people who were going to continue take anything musically and string it along.
The ghetto music of my era is hip-hop. And Parliament, and Curtis Mayfield, and Marvin Gaye, that was all the ghetto stuff when I was a baby, and then when I was a teenager it was hip-hop and we were taking all those old '70s sounds and recreating them and putting them into a hip-hop format.
There was not a lot of rock n' roll in the house. Our parents didn't think it was very groovy, and I tend to agree with them. If you grew up with Charlie Parker, Bill Haley wasn't very hip.
I do hip-hop music, and I've gotten famous off of hip-hop music, and I know that I'm successful, and I've created my own definition of success, what success means to me. So the hip-hop world is all just really fake to me.
They're simply following what was laid down in front and they play the same thing. So, there's no great challenge In being a classical drummer.
There was not a lot of rock n roll in the house. Our parents didnt think it was very groovy, and I tend to agree with them. If you grew up with Charlie Parker, Bill Haley wasnt very hip.
At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.
I am a big fan of music in general. I listen to all genres: hip-hop, R&B, whatever sounds good to me; it doesn't matter to me where it comes from - there are no boundaries, no fences. If I like it, then it will inspire me to create.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
This site uses cookies to ensure you get the best experience. More info...
Got it!