A Quote by Pat Oliphant

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population. — © Pat Oliphant
There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.
For me, as a writer who comes from quite a naturalistic tradition, British screenwriting is quite delicate, quite small, and rarified in a way.
Urban artist have to face the stigma not only from white Australia but black Australia too; that's horrific when people say that their art isn't "Aboriginal" if it doesn't have dots or lines or moieties in it.
Things are not quite so simple always as black and white.
I would quite like to play a big concert as Freddie Mercury. I can't sing that great and I haven't yet found a use for the over large size of my teeth. I quite fancy a mustache like that and he was such a great showman.
I would quite like to play a big concert as Freddie Mercury. I cant sing that great and I havent yet found a use for the over large size of my teeth. I quite fancy a mustache like that and he was such a great showman.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
We were told, quite seriously, that there never would be a Canadian art because we had no art tradition.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
I've been quite fortunate to visit juvenile detention centers in Australia, jails in Western Australia. To be able to go out there and visit and see what it's like, you get a feeling for it.
Australia is the same size as the U.S., but it's much smaller in terms of population. I've been working in the States off and on since the '80s, and the first time I played a lead here was in '91, I think.
It's a bummer interracial love is still such a big deal. To me, it's quite normal. I grew up seeing couples that were interracial. Who cares if it's a black guy and white girl, or an Asian guy and white girl, etc.? Odds are, every combo exists out there somewhere so why not put it on the screen? Shouldn't art imitate life?
My work is based on a tradition quite distinct from the Eckersberg tradition, a Nordic line of development that had never been clearly and consistently defined in the literature on art. This line is not a straight one; it has the strangest and most fascinating twists and curves, and includes such artists as Edvard Munch, Ernest Josephson, Hill, Hansen Jacobsen, Johannes Holbek, Jens Lund, and Emile Nolde. Not all of them equally well known.
There was just a moment when things weren't quite the same, weren't quite as they had always been through the long friendship
I've always felt, and I don't like to say this because I sound like an ex-patriot, I always feel quite a bit more comfortable sometimes in Canada. For a variety of reasons. I just think it's a politer place. Kind of. You don't have quite the population to deal with but you don't immediately get into skirmishes with everybody. If you had any passport, any terrorist would let the Canadians off the plane.
My whole family are in the entertainment industry. It is always something I was used to; I was quite lucky growing up. To all my friends, it was quite exciting, but to me it was quite normal.
Quite frankly, black folks have always been at the core of what it's meant to make this nation human.
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