A Quote by Pat Robertson

You know what they do in San Francisco? Some in the gay community there, they want to get people. So if they got the stuff they’ll have a ring, you shake hands and the ring’s got a little thing where you cut your finger. Really. It’s that kind of vicious stuff, which would be the equivalent of murder.
But it's not just the ratty part of town. The upper class in San Francisco is that way. The Bohemian Grove, which I attend from time to time - it is the most faggy goddamned thing you could ever imagine, with that San Francisco crowd. I can't shake hands with anybody from San Francisco.
When I got a little older, like, 10 or 11, my dad would run a training school every month, teaching people how to become wrestlers. I would get in the ring now and again and mess around with one of my brothers, and he'd teach me some stuff.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
Little brothers ring fingers get cut up to show mothers they really got em.
I'd do the lifting, but I just got a manicure. And I notice you don't have a manicure at all. Only thing noticeable about your hands is the missing tan on your ring finger that I don't care about. -Lula
It's funny to hear how much certain people resist the lip ring. Sometimes I'll do a piece on an important topic and all the YouTube comments will be about the lip ring. I don't really have a good answer for why I got the lip ring. I just wanted it! But I've had it for a million years. I got my lip pierced when I was like 15.
I love San Francisco and Brighton has something of San Francisco about it. It's by the sea, there's a big gay community, a feeling of people being there because they enjoy their life there.
I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.
You've got to be able to go 100 miles per hour in the ring, out of the ring, partying, and you've still got to make all your commitments.
That's the words: "So I'm back to the velvet underground" - which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff - "back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."
The only thing I've got is that the ring fingers on both my hands have a little arthritis in each. It's a worn out joint because of too much exertion and stress. But it doesn't affect my playing, which is good.
People's hands fascinate me. It's tempting to look at a businessman's left hand and see if there's an indentation from a missing wedding ring. Or maybe there's a tan line and the skin is pressed down where's he's worked a ring off his finger.
We got in the ring and wrestled almost every night and didn't have many days off... The only thing I knew for certain when I got in the ring was exactly how I went in. We told a story and the match was the story.
You can accomplish whatever you want to. You just got to throw your hat in the ring. You've got to get out there and do it.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
In ECW, the fans would warm me up. I'd walk around the ring and slap hands with everyone and get ready for the match. I'd feed off that energy, I would use that to create positive energy. In WWE, it's different. It's a timed show; everything is timed. We know - when we get to the ring, we know when there's a commercial.
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