A Quote by Pat Smear
My Nirvana experience was much different than the other three guys. For me, it was really new and exciting. I was just a guy from a punk rock band, thrown into this huge thing. There were dark periods, too. But there wasn't a dark cloud over the whole thing.
Related Quotes
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
Composing is just another exciting thing. It's as exciting as being in a band. It's kind of like joining a new band for three months.
So much of the time I'm cast as an asshole or a douchebag, or that kind of thing. I'd like to go back to just playing a guy with a good heart. Usually so much of my stuff is ulterior motives or a dark thing to it. Maybe that's what other people see in me, but I feel like I have a warm side, too, humor and fun. I'd like to play a little bit more of that. Feel-good stuff. Why not?
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
Too pop for punk, too 'old school' for the New Wave, Mumps were a '70s era New York rock band, out of time.
Obviously the whole Wayward thing hasn't been explained to you properly. You don't have any superpowers. You can't leap over tall buildings in a single bound or fight Dark Casters with your magic cat. Basically, you're a glorified tour guide who's no better equipped to face a bunch of Dark Casters than Mary P. over here -Ridley
I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.
I think Latin guys are really sexy. They generally fit into that whole tall, dark, and handsome thing.
Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.
'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.
My first film - a challenging role and completely different from the persona that was created in Italy. I was this super energetic, vibrant, happy, volumed hair, fitted dresses, the whole Italian va-va-voom thing. And the role was a girl that was really provoking society with being unnecessarily violent - just trying to see what people's limits are. It's a really dark tunnel to get to being nasty, being full of hate. When people hate there's a big sadness and rage within them, so it was interesting to go that dark with my first experience.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place. Things are just way too good.
Pete Townsend for me was a huge influence. Because essentially they were a three-piece band and the way he structured his chords and took up a lot of space musically in the songs was really important to the way Rush developed. Geddy and Neil both were such active players and lot of the time we were all playing like crazy and it was too much and somebody had to reel it in and me being the faceless guy, I would do that.
Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician